Best of KBIS 2020 – the most innovative new kitchen, bath, smart home and outdoor living products

    The kitchen and bath industry’s most prestigious honor, the Best of KBIS celebrates the most innovative new products of the year   The 2020 Kitchen & Bath Industry Show (KBIS), the destination for kitchen and bath design professionals, announced the Best of KBIS 2020 award winners during the awards ceremony held on the … Read more

Fendi Casa 2020: Macro geometries and blocks of dominant colours

Each piece of furniture in the new Fendi Casa collection 2020 unveiled at Maison & Objet Paris may be personalised down to its finest details (from coatings to metallic inserts, all the way to patterns and colours), designed as they are to respond to the most diverse inspirations. The colour palette of the collection space … Read more

If women ruled the world: Dior’s Judy Chicago tribute is more than a gimmick

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Luxurious Design Ideas to Add To Your Dream Home

  Dream homes come in many shapes, sizes and colours. It can include a whole range of amenities and conveniences like backyard pools, gyms, saunas, game rooms, and fully-stocked kitchens. From the simple and basic to rustic cosy, to outrageously glamorous or creatively clever — whatever maybe your theme preference, adding a dash of luxury … Read more

Experience Ai Weiwei’s first virtual reality artwork, Omni

Ai Weiwei. Photograph: Gao Yuan. Ai Weiwei Studio

Powered by Guardian.co.ukThis article titled “Experience Ai Weiwei’s first virtual reality artwork, Omni” was written by Alex Needham and Simon Hattenstone, for theguardian.com on Tuesday 21st January 2020 13.30 UTC

Ai Weiwei’s first virtual reality video, which you can see here, is called Omni. It fuses together two films the artist has made focusing on the migrant crisis, immersing viewers in the upheaval of displacement and exile for both animals and humans.

The first part of Omni focuses on the elephants of Myanmar. Once, they worked with their trainers, mahouts, dragging logs from the jungle. Now the government has placed severe restrictions on their jobs and the animals are redundant. Lost and confused by the destruction of their natural environment, the elephants attempt to return to the wild, sometimes coming across the refugees whose camps have been erected on their long-lost migratory routes.

“I relate to the elephants,” Ai says. “There are lot of small ones who have lost their parents. Elephants are like humans. Without parents they cannot survive. They have to stay with them until they are seven years old.”

The second part of Omni drops the viewer into the centre of a migrant camp known as Cox’s Bazaar, in Bangladesh just over the border from the refugees’ home in Myanmar’s Rakhine state, where they have fled persecution, ethnic cleansing and a military crackdown. The work provides a migrants’-eye view of daily activities, such as queuing for supplies, and takes the viewer through the camp, from its tents to its markets and playgrounds.

As well as the harshness of life in the camp, it shows solidarity, sharing and teaching. “I feel a lot of positive things about humanity even in the worst conditions,” Ai said. “I don’t want to show that there is just sadness. Happiness and sadness always coexist. That’s a reason to protect that happiness.”

  • Omni was produced with Acute Art, who work with artists to make virtual and augmented reality videos. On 30 January, Ai Weiwei will show the project to an audience at a Guardian event at Conway Hall, London.
  • Viewers on mobile should have the YouTube app already pre-installed. You must click on the title in the embedded video, and will then be taken to the video in-app where you can actually experience the video in 360 degrees.

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The joining of Louis Vuitton and the National Basketball Association promises surprising moments

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