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Bvlgari revisits the iconic B.zero1 ring design with bold new iterations

 

 

Bvlgari B.zero1 is now a collector’s item for exceptional women. Inspired by the fluid geometry of the Colosseum in Rome, B.zero1 ring was created in 1999 using the groundbreaking Tubogas technique. This year Bulgari is celebrating the 20th anniversary of its iconic jewelry design inspired by Rome.

Bvlgari revisits the iconic B.zero1 ring design with bold new iterations-2019
Bvlgari revisits the iconic B.zero1 ring design with bold new iterations; © Mario Sorrenti / Bvlgari

To embody the unique design of its new 2019 B.zero1 collection, Italian luxury house Bvlgari has chosen ambassadors Bella Hadid and Kris Wu, two intrepid personalities captured by the lens of photographer Mario Sorrenti.

Bvlgari B.zero1 ring has been created in a 5-band, white gold spiral completely encrusted in sparkling pavé diamonds. There are also versions in yellow gold and solid white gold in tribute to the original 1999 editions, as well as rose gold for the first time. The designs are engraved with “XX Anniversary” on the internal ferrule.

The 20th anniversary is also celebrated in variations that add an inner core of a white or black ceramic. Each combination comes in a ring and a pendant. A rose gold bangle available in black ceramic and in precious pavé diamonds completes the collection.

Bvlgari revisits the iconic B.zero1 ring design with bold new iterations
Bvlgari revisits the iconic B.zero1 ring design with bold new iterations; © Mario Sorrenti / Bvlgari

To celebrate the ring’s anniversary, Mauro Di Roberto, Jewellery Business Unit Managing Director at Bvlgari, tells of the genesis and evolution of an icon.

B.zero1 is the personification of Bvlgari design. Inspired by the quintessential symbol of Roman architecture, the Colosseum, it encapsulates every single Bvlgari trait: bold, nonconformist and unexpected. In these twenty years, B.zero1 has evolved thanks to its ability to adapt to the times, while continuing to preserve its design uniqueness and style. Reworked by Anish Kapoor and Zaha Hadid, in materials such as ceramic and marble, it has simply consolidated its role as an icon.”

Structure, shape and equilibrium merge in the ring’s design, which stems from the principles of architectural construction and celebrates the tradition of ancient Rome.

Bulgari says B.zero1 is like Rome, “difficult to describe as a whole, but we can at least try: run the risk, shake off convention, be amazed by unexpected things”-that’s all it takes.

 

Bvlgari BZero1-2019
Bvlgari BZero1 campaign 2012; @Bvlgari

 

Bella Hadid for Bvlgari BZero 2019
Bella Hadid for Bvlgari BZero 2019; © Mario Sorrenti / Bvlgari
Bvlgari BZero 2019 jewelry
Bvlgari BZero 2019 jewelry; @Bvlgari
Bvlgari BZero 2019 editions
@Bvlgari

 

Dior 2020 Cruise at El Badi Palace Morocco – A voyage outside of time, punctuated by rich savoir-faire

 

 

 

Dior 2020 Cruise at El Badi Palace - a dialogue between the Dior wardrobe and African fashion
Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior

Wax, a fabric emblematic of Africa was in the spotlight of the Dior 2020 Cruise collection presented in the setting of the El Badi Palace in Morocco as a dialogue between the Dior wardrobe and African fashion.

With traditional Moroccan ceramics and fabrics, El Badi Palace in Marrakesh, was rich in meaning. Long a meeting place for imagined realms of Europe and Africa, Marrakech also evokes the first successor to Christian Dior, Yves Saint-Laurent.

 

On the occasion of the Dior Cruise 2020 collection, Maria Grazia Chiuri collaborated with Uniwax factory and studio (in Ivory Coast) to create pieces from Wax print fabrics, a highly complex, noble cloth whose roots wind between Europe, Asia and Africa. A unifying symbol of multifaceted fashion, the prints came in a multitude of motifs and colors. Dior codes including ‘toile de Jouy’ and ‘tarot’ cards were revisited in the fabrics’ motifs.

“Maria Grazia Chiuri has always had her heart set on establishing creative exchanges with African cultures. With this collection, she sought to dialogue with the real and imagined landscape of Morocco, at the crossroads of the Mediterranean, Europe, and Africa, like a dream destination for artists, poets, writers and eternal adventurers,” commented the LVMH-owned luxury fashion house.

Uniwax, one of the few remaining manufacturers of the fabric using traditional methods, is actively supporting African fashion. Maria Grazia Chiuri collaborated as well with African designer Pathé Ouédraogo, known as Pathé’O, who contributed a shirt designed exclusively for the show in tribute to Nelson Mandela.

For the Dior Cruise 2020 collection, Maria Grazia Chiuri invited two creative talents, LVMH Prize winner Grace Wales Bonner and New York-based artist Mickalene Thomas, to reinterpret the Maison’s iconic ‘New Look’ silhouette, the ‘Bar’ jacket and skirt. The Bar suit, like all the other pieces, exalts the power of fashion as an inclusive, transnational language.

The Dior archives attest to this fascination by Morocco, in Marc Bohan’s Jungle silhouette or a scarf printed with an African lion that gave life to a savannah bestiary. Landscapes that inspired authors such as Albert Camus, Paul Bowles, Alberto Moravia, and Bernardo Bertolucci unfurl across warp prints, jacquards, and fils coupés. Maria Grazia Chiuri underscores the power of Nature with ecru silk, silk gauze, and shantung that, in shades of sand, indigo or burned red ocher, enhance coats and suits, pleated skirts and trousers.

Dior 2020 Cruise at El Badi Palace - Silhouettes-01
Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes Backstage
Backstage – Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes-
Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes 100 percent WAX fabrics-
100 percent WAX fabrics – Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes
Silhouettes at Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes-02
Silhouettes at Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Silhouettes 100 percent WAX fabrics 2019
Silhouettes at Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - Key Accessories
Silhouettes at Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior
Dior 2020 Cruise at El Badi Palace - a dialogue between the Dior wardrobe and African fashion-
Silhouettes at Dior 2020 Cruise at El Badi Palace – a dialogue between the Dior wardrobe and African fashion; @dior

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Cultural appropriation is a touchpaper issue in the fashion industry, but the house’s bombastically showbiz event in Morocco also highlighted local cultures