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      The new bridal collection arrives at a time when we all need a reminder that we are all one. Wedding dress designer Pnina Tornai debuts her 2021 Couture collection in New York City exclusively at Kleinfeld Bridal,the largest luxury bridal retailer in the world, carrying an unparalleled selection of American and European … Read more

Hand in Hand: Twenty selected Italian ateliers present unique interpretations of the Fendi Baguette

 

Fendi Hand in Hand Project 2020; @Fendi

Each bag is unique, because the imperfections inherent to handmade craftsmanship are what express intrinsic beauty.

Fendi celebrates Italy’s artisanal craftsmanship with ambitious “Hand in Hand” project.

The talented artisans too often ply their craft without sufficient recognition. Italian luxury house Fendi invited 20 ateliers representing the Italy’s 20 regions to interpret the iconic Baguette bag – designed in 1997 by Silvia Venturini Fendi, Creative Director for Accessories and Men’s collections. The designer plans to expand this unprecedented project to pay tribute to the best artisans around the world.

Fendi Hand in Hand Project 2020; @Fendi

Twenty regions, twenty interpretations of the Baguette bag.

Fendi‘s “Hand in Hand” project was launched with twenty selected ateliers in Italy, which applied their unique talents to transform the iconic bag into a jewel of craft workmanship. Each Fendi Baguette bag is stamped with the atelier’s name and the gold “Fendi Hand in Hand” logo, created specially for the occasion.

“Fashion often focuses on the designer, and I think it’s time that we celebrate the community of artisans behind these amazing creations,” says Silvia Venturini Fendi.

The first creation was presented in Fendi’s Fall/Winter 2020-2021 runway show, a collaboration between Fendi artisans and craftspeople at the Florentine atelier Peroni in Tuscany. In the skilled hands of Peroni artisans, the Baguette is fashioned from a single seamless piece of molded vegetal-tanned leather with no stitches from bag to buckle, usingan impressive traditional technique known as cuoio artistico fiorentino. The different Italian regions each contributedistinctive savoir-faire while sharing a passion for traditional craftsmanship and skillful handmade creations.

Rich floral brocade inspired by Venice’s glorious history is woven on authentic Jacquard looms. Fendi Hand in Hand Project 2020; @Fendi

In Veneto, “Hand in Hand” spotlights time-honored craft. Working with Venetian artisans at Bevilacqua, which has been making jacquard for five centuries, Fendi goes back in time. The fabric is woven by hand on 18th century wooden looms by artisans who meticulously create a rich floral brocade motif, producing just a few centimeters per day. An interlaced satin strap and a buckle sculpted in jasper with lizard details further elevate the jacquard. The absolutely breathtaking result is an ode to patient talent, to experience, and to the historic beauty of Venice.

Women artisans are honored in the Umbrian town of Perugia at the family-owned business Giuditta Brozzeti. Antique looms from the 19th century reproduce designs inspired by the bestiary of Medieval history. For its vision of the Baguette, the atelier featured a horse, a peacock, a unicorn and a dove in a bright royal blue and white color scheme. The luxurious simplicity harbors the secrets of generations of weavers of authentic textiles.

Nestled in the heart of Rome, cradle of emperors and Fendi’s native city, is the atelier-boutique of master jeweler Massimo Maria Melis. The history of ancient Rome meets the contemporary elegance of the couture house to create a leather Baguette decorated with original bronze coins portraying Roman emperors. The piece honors not the political past but ancestral Roman goldsmith techniques restored to their original glory.

The Abruzzo region, represented by artisan Simona Iannini, showcases the delicate force of the tombolo aquilano lacework technique. Continuous threads of linen are interlaced and never cut or sewn, an almost magical precision art passed on through generations since the 15th century. Recreating the shape of the Baguette using this centuries-old technique took 100 hours of work. The lace is starched and then becomes rigid after being left to dry on a wooden form for three days.

Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi
Fendi Hand in Hand Project 2020; @Fendi

There’s no place like home: Frenesia Baguette and Fendi Spring-Summer 2021 reflections in Milan

 

@fendi

A sense of quiet beauty and serenity inspired by Silvia Venturini Fendi’s profoundly personal reflection on the current mood and moment permeated the Fendi SS21 collection.

 

Rigorous silhouettes, bright tones, and retro details demonstrate Fendi’s signature penchant for unexpected contrasts. Crisp cotton and lightweight linen are elevated into a whole new realm of luxury in the Fendi SS 2021 collection. ​

On 23 September, Fendi was the first luxury Maison to organize a physical show during Milan Fashion Week, unveiling both its Women’s and Men’s collections for Spring-Summer 2021. In the intimate ambiance of its Milan showroom, with members of the very small audience seated a meter apart, the Rome-based Maison revealed Silvia Venturini Fendi’s latest designs in an airy, paired-down scenography.

@fendi SS 2021
@fendi SS 2021

The audience – in person or online – watched as, between light curtains billowing in a gentle breeze, looks for both men and women played on a subtle palette of white, beige, black and pastel tones, highlighted with sky blue and cardinal red. For Silvia Venturini Fendi, the collection conjured a patchwork of memories of time spent quietly at home with family. Thus, the shadow cast by a window when one is inside looking out was printed on garments in a game of transparency and texture.

From tailoring to leatherwork heritage, the Fendi Spring Summer 2021 collection showcased Italy’s enduring traditions and techniques – many of them passed down through generations of artisans.​

For accessories, the “hand-in-hand” Baguette project celebrated the collaboration between Silvia Venturini Fendi and artisans from the Abruzzo and Marche regions, famous for their mastery of intricate, traditional techniques with lace and wickerwork.

@Fendi Frenesia Baguette 2020 project; Produced by FASHION TO MAX; Creative director Maxim Sapozhnikov; Photo by Stepan Filenko See Less.

Fendi Frenesia Baguette 

The Fendi Frenesia Baguette range is brought to life through the exclusive leather-scenting technique, created by the Maison Francis Kurkdjian and Silvia Venturini Fendi, and the accompanying 5 ml vial of perfume to intensify the fragrance or extend its lifespan for up to four years. The first scented Fendi baguette bag was launched last year. FendiFrenesia Baguette is much more than an accessory: it has grown into an immersive experience that explores the senses of touch, sight, and smell.

@Fendi Frenesia Baguette 2020 project; Produced by FASHION TO MAX; Creative director Maxim Sapozhnikov; Photo by Stepan Filenko See Less.
@fendi SS 2021
@fendi SS 2021

 

Tondagraph Tourbillon and the sumptuous Tonda Métropolitaine – two hymns to Haute Horlogerie by Parmigiani

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Haute Dentelle is revealing high-end lace and its use in haute couture today

 

HAUTE COUTURE AT THE MUSEUM OF LACE AND FASHION

The Cité de la Dentelle et de la Mode in Calais is holding a new exhibition, “Haute Dentelle,” devoted to high-end lace and its use in haute couture today. Haute Dentelle is laid out in the 656 m² temporary exhibition gallery. The exhibition pathway is made up of 14 display cases presenting 65 clothing pieces from the heritage collections of 14 of some of the most prestigious fashion houses on the French and international scene, from CHANEL to VALENTINO and including Ralph & Russo and Viktor & Rolf.

After the success of the exhibitions Hubert de Givenchy, Cristóbal Balenciaga, Anne Valérie Hash and Iris van Herpen, the Museum of Lace and Fashion in Calais, dedicated to hand-made and mechanical lace, presents the “Haute Dentelle” (Designer Lace) exhibition.

Haute Dentelle Exhibitions
Haute Dentelle Exhibitions; photo: chanel.com; chanel-news.chanel.com/en/home.html

HAUTE COUTURE AND LACE.

“Haute Dentelle” offers a unique insight into the contemporary uses by fashion designers of lace woven on Leavers looms. Implicitly, exhibition curator Sylvie Marot weaves a unique dialogue between lace houses and fashion houses, revealing behind these exchanges powerful creative propositions.

Haute Dentelle Exhibition in Calais - Alberta Ferretti - Maison Martin Margiela
Haute Dentelle Exhibition pieces; photos: www.cite-dentelle.fr/en/

A MATERIAL OF GREAT CREATIVE POTENTIAL.

First inspired by and then liberated from hand-made lace, mechanical laces have been marrying tradition with innovation for 200 years. Synonymous with delicacy, the apparent fragility of the lace is an illusion: its woven texture makes it unravelable. A textile of high technicity, the subject of never-ending design research among
lace-makers, lace has never been so multi-faceted. In infinite shades, textures, finishing techniques and embroideries, it may be transparent or opaque, with floral or abstract patterns, light or three-dimensional… to the point of becoming magnificently unrecognizable.

EXCEPTIONAL PIECES have been selected from thirteen fashion houses: Chanel (11 looks), Christian Dior (1 look), Viktor & Rolf (3 looks), Iris van Herpen (3 looks), Balenciaga (2 looks), Ralph & Russo (3 looks), Maison Margiela (3 looks), Schiaparelli (5 looks), Alberta Ferretti (7 looks), Valentino (6 looks), Louis Vuitton (6 looks),
Yiqing Yin (5 looks), Zuhair Murad (8 looks), and Jean Paul Gaultier (2 looks).

Because of the ultra-contemporary aspect of the lace pieces, all the fashion silhouettes are provided by the fashion houses. The Maison Lemarié has provided samples demonstrating research into textile manipulation. The lace makers have loaned samples of lace, with of without finishing, so as to provide a measure of the richness of this fabric, and also to separate it from the garment.

Haute Dentelle Exhibition in Calais - Valentino Schiaparelli
Haute Dentelle Exhibition pieces; photos: www.cite-dentelle.fr/en/

“Haute Dentelle” Exhibition In Figures:

14 display cases are placed along the exhibition pathway;
14 French and International fashion houses (Paris, London, Beirut, Milan, Rome, Amsterdam);
65 silhouettes from the last five years: the oldest dates from summer 2012 and the most recent from summer
2018.;
65 samples of lace;
15 French lace manufacturers today perpetuate the know-how dedicated to the lace woven on Leavers looms.
This lace is intended for haute couture, lingerie and high-end pret-a-porter.

Haute Dentelle Exhibition in Calais - Chanel Dress
Haute Dentelle Exhibition pieces- Chanel Dress; photos: www.cite-dentelle.fr/en/

CHANEL loaned 11 ensembles illustrating the exceptional craftsmanship of the luxury Maison and its Métiers d’art. One of them, an ensemble from the Spring‑Summer 2015 Haute Couture collection photographed by Karl Lagerfeld, was selected for the exhibition poster.

Lace was one of Gabrielle Chanel’s favorite materials for evening gowns. In a 1939 article, Chanel recommends the use of lace, which she saw as “one of the prettiest imitations that’s ever been made of nature’s whimsies. (…) I think tulle and lace have always lent charm, gracefulness and nobility to women’s elegance.” Thanks to Karl Lagerfeld, CHANEL is perpetuating French lace expertise and renewing it through its collections.

“Haute Dentelle” Exhibition;
Cité de la Dentelle et de la Mode, Museum of Lace and Fashion in Calais;
Calais, France;
to January 6, 2019.

Haute Dentelle Exhibition in Calais - Balenciaga
Haute Dentelle Exhibition pieces; photos: www.cite-dentelle.fr/en/

 

Haute Dentelle Exhibition in Calais - Christian Dior
Haute Dentelle Exhibition pieces Christian Dior Dress; photos: www.cite-dentelle.fr/en/