Motor Mouths: an audiovisual guide to the UK car industry – in pictures

 

Motor Mouths, created by the photographer and digital artist Richard Jones, offers an insight into Britain’s automotive landscape. Working in partnership with the British Motor Museum and Arts Council England, the audiovisual project includes a 17-minute digital installation of ‘talking portraits’ and timelapse clips featuring workers at the Vauxhall, Bentley and Morgan plants.

 

Motor Mouths digital installation- a collaboration between Richard Jones the British Motor Museum and Arts Council England
Motor Mouths digital installation- a collaboration between Richard Jones the British Motor Museum and Arts Council England; images: richardjonesphoto.com/motor-mouths/

 


Powered by Guardian.co.ukThis article titled “Motor Mouths: an audiovisual guide to the UK car industry – in pictures” was written by Richard Jones, for theguardian.com on Thursday 3rd May 2018 11.00 UTC

Motor Mouths tells the story of the automotive landscape in the UK, from highly automated car manufacturing plants to heritage, hand-built vehicles. Produced by the photographer Richard Jones, the audiovisual project – which took more than two years to plan and 14 months to create – centres on the work of Bentley, Morgan and Vauxhall.

Composite of the Vauxhall, Bentley and Morgan factories in the UK
Composite, from left: The Vauxhall plant at Ellesmere Port, near Liverpool. The factory, which produces the Astra, uses 900 robots, has 1,200 staff and can produce 37.5 cars per hour; last year, it made 92,020. Vehicles are covered for storage at Bentley Motors in Crewe. The luxury carmaker employs about 4,000 staff, most of them locals. In 2017, Bentley produced a record 11,000 cars. Vehicles wait to be pushed to the paint room at Morgan Motor Company in Gloucestershire. Morgan produces about 850 of its fully handcrafted cars at the plant each year Photograph: Richard Jones
  • From left: The Vauxhall plant at Ellesmere Port; cars are covered for storage and transport at Bentley Motors in Crewe; and Morgan Motor Company in Malvern

The result is an installation that glides from automated high-volume car manufacturing to Morgan’s hand-built wooden-framed cars, before pausing to consider the impact of factory closure at Longbridge, once the UK’s largest car plant.

Vauxhall plant in Ellesmere Port, UK
Vauxhall factory in Ellesmere Port, UKAstras on the production line. The Ellesmere Port plant can produce up to 37.5 vehicles per hour – about 680 a day Photograph: Richard Jones/RichardJonesPhoto.com 

  • Astras on the production line at Vauxhall’s Ellesmere Port factory near Liverpool

Vauxhall operates a highly automated plant where approximately 1,200 employees work alongside 900 robots. While staff numbers have decreased, the capacity of Astra production has increased.

Vauxhall factory in Ellesmere Port, UK
Vauxhall factory in Ellesmere Port, UK

There are about 900 robots that assemble the cars and approximately 1,200 staff at the plant
Photograph: Richard Jones/RichardJonesPhoto.com
Robots and the automated track in the body shop at the Vauxhall car plant
Robots and the automated track in the body shop at the Vauxhall car plant Photograph: Richard Jones/RichardJonesPhoto.com
A worker constructs cars at Vauxhall's Ellesmere Port plant
Vauxhall: Ellesmere Port, UKA worker constructs cars at the plant, near LiverpoolPhotograph: Richard Jones/RichardJonesPhoto.com 

Astra bodies line up at the Vauxhall car plant at Ellesmere Port
Vauxhall: Ellesmere Port, UKAstra bodies line up at the Vauxhall car plant at Ellesmere Port Photograph: Richard Jones/RichardJonesPhoto.com 

The plant can produce 37.5 vehicles per hour, or 680 per day. Once the steel is pressed, a car takes about six hours to construct. Last year Vauxhall produced 92,020 vehicles. A new model costs at least £17,000.

Dave Owens, a robot operator and mechanic, in the Vauxhall body shop
Vauxhall: Ellesmere Port, UK

Dave Owens, a robot operator and mechanic, in the body shop. He says: ‘We are all robots; we are all creatures of habit. I do what the robots do. I park in the same place, come through the door at the same time. Change into the same gear every day. I just do what the robots do. I follow a pattern. The only thing is we have to teach the robots the pattern to take.’
Photograph: Richard Jones/RichardJonesPhoto.com

Dave Owens, a robot operator and mechanic in the body shop at Vauxhall’s Ellesmere Port plant, says: “We are all robots; we are all creatures of habit. I do what the robots do: I park in the same place, come through the door at the same time, change into the same gear every day … I follow a pattern. The only thing is, we have to teach the robots the pattern to take.’

Bentley Motors in Crewe, Cheshire
Bentley Motors in CreweThe luxury carmaker, which employs about 4,000 people at its Cheshire plant, uses a unique mix of hi-tech and handcrafted techniques to create its vehicles. In 2017 the company produced a record 11,000 carsPhotograph: Richard Jones/RichardJonesPhoto.com 

  • Part of the highly modern factory of Bentley Motors in Crewe, Cheshire

Bentley Motors in Crewe, which employs 4,000 people, is a highly modern plant that mixes state-of-the-art technology with craftsmanship. The company’s German owners have invested heavily in the Cheshire-based plant. Bentley cars feature Italian leather made from Highland cows that graze in alpine meadows and plush walnut wood interiors.

Bentley employees make steering wheels
Bentley Motors in Crewe, CheshireEmployees make steering wheels by handPhotograph: Richard Jones/RichardJonesPhoto.com 

Bentley Motors, Crewe  Seats, headrests and interiors are hand-sewn from high-quality leather imported from Italy at Bentley in Crewe
Bentley Motors, CreweSeats, headrests and interiors are hand-sewn from high-quality leather imported from ItalyPhotograph: Richard Jones/RichardJonesPhoto.com 

A Bentayga rolls off the production line at Bentley Motors in Crewe
Bentley Motors in CreweA Bentayga rolls off the production line. This SUV model costs at least £165,000 but customisation can add another £80,000 to the price tagPhotograph: Richard Jones/RichardJonesPhoto.com 

Dave Green works on a Bentayga engine
Bentley Motors in CreweDave Green works on a Bentayga engine. He says: ‘In 1977, when I joined, the factory was completely different to what it is now. It’s far cleaner. We had no brew room – you just brewed up on the job. We used to physically push the car from one process to the next.’Photograph: Richard Jones/RichardJonesPhoto.com 

In 2017, Bentley Motors the Crewe plant produced a record 11,023 cars. The Bentayga model (pictured) costs from £165,000 and takes about 40 hours to build. The Mulsanne, which has an extended wheel base, is a sedan and costs at least £275,000. Customers can travel to the factory and visit its showrooms where they can see their car being built. After, they are offered a tour of the factory and chauffeured around the complex in Bentleys.

Phil Ward, a wood shop worker
Bentley Motors in CrewePhil Ward, a wood shop worker, says: ‘They are bringing the new robots, but they can’t do what we can. The cars still have to be made by hand on the bench’Photograph: Richard Jones/RichardJonesPhoto.com 

Phil Ward, who works in the wood shop, says: “Bentley is bringing the new robots and that sort of stuff – but even these robots can’t do what we can do. The cars still have to be made by hand on the bench by us.”

Cars are pushed from one production point to the next at Morgan Motor Company in Malvern
Morgan Motor Company in MalvernCars are pushed from one production point to the nextPhotograph: Richard Jones/RichardJonesPhoto.com 

  • Cars are pushed from one production point to the next at Morgan Motor Company in Malvern, Gloucestershire

The family-owned Morgan plant is nestled in the Malvern Hills, Gloucestershire. The factory opened in 1909 and has stayed true to its mission to construct high-quality, handmade racing-style cars. The plant produces 850 cars each year, all built to order, and employs 205 people.

Nigel Hall and Vince Wanklin are Morgan carpenters who build the vehicles’ wooden frame from ash
Morgan Motor Company in MalvernNigel Hall and Vince Wanklin are carpenters who build the vehicles’ wooden frame from ashPhotograph: Richard Jones/RichardJonesPhoto.com 

The Morgan factory produces about 850 cars each year
Morgan Motor Company in Malvern

The factory produces about 850 cars each year
Photograph: Richard Jones/RichardJonesPhoto.com
Adam Lusty, chief painter at Morgan Motor Company, takes about hours to finish a car by hand
Morgan Motor Company in MalvernAdam Lusty, chief painter at Morgan Motor Company, takes about hours to finish a car by handPhotograph: Richard Jones/RichardJonesPhoto.com 

Finished cars are loaded on to transporters at Morgan
Morgan Motor Company in Malvern

Finished cars are loaded on to transporters
Photograph: Richard Jones/RichardJonesPhoto.com

Morgan cars cost about £60,000 each and the company says its order books are full. The carmaker has recently released an electric version of the classic three-wheel car, and the average Morgan, which still has a wooden frame made by local carpenters, takes about four weeks to build. Despite the brand’s traditional image, its owners say they keep up with the latest technology.

Ed Wilkes, a metalworker, assembles the frame of a Morgan car
Morgan Motor Company, MalvernEd Wilkes, a metalworker, assembles the frame of a carPhotograph: Richard Jones/RichardJonesPhoto.com 

The Motor Mouths installations are made entirely from individual photographs, with more than 200,000 images captured for the project. Portraits have been cut into several layers to give the impression of 3D, known as the parallax effect. Timelapse clips, each one composed of thousands of images, are weaved among the portraits.

Kineton, a local high school, and the Factory Young People’s Centre in Birmingham helped film sections of the project in a series of workshops. The acclaimed musician and soundscape artist Phil Reeve created a piano-based soundtrack to accompany the Motor Mouths that combined factory sounds and interviews.

The regenerated Longbridge area of Birmingham
The regenerated Longbridge area of Birmingham, once home to the UK’s largest car factory, now houses the Factory Young People’s Centre Photograph: Richard Jones/RichardJonesPhoto.com
  • The regenerated Longbridge area of Birmingham, once home to the UK’s largest car factory, now houses the Factory Young People’s Centre and various office buildings.

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How to experience colors in a new way with Art Palette, a new Machine Learning project by Google Arts & Culture

Paul Smith & Art Palette

New from Google Arts & Culture, Art Palette harnesses the technological smarts of Google with the artistic and cultural wealth of over 1000 museums and institutions from around the world including the British Museum, MoMa in New York and many more.

Art Palette is a tool that lets you scan through thousands of artworks by colour alone. Either pick a colour or upload a photo and Google’s algorithms will serve up a series of artworks that share the same colour palette. See how highly respected English fashion designer Paul Smith uses Art Palette to enrich his design work and inspire colour combinations.

paul smith art culture project 2018
Paul Smith & Art Palette; photo: paulsmith / artsandculture.google.com/

 

“For somebody who loves colour, like me, it’s so useful to look through whole collections of paintings or photography or anything where people have used certain colours together”, said Paul Smith.

Art Palette

From interior design to fashion, color plays a fundamental role in expression, communicating personality, mood and emotion. Art Palette lets you choose a color palette, and using a combination of computer vision algorithms, it matches artworks from cultural institutions from around the world with your selected hues. See how Van Gogh’s Irises share a connection of color with a 16th century Iranian folio and Monet’s water lilies. You can also snap a photo of your outfit today or your home decor and can click through to learn about the history behind the artworks that match your colors.

Explore Art Palette for yourself via the free Google Arts & Culture app, or online at Google Arts & Culture.

Paul Smith clothes, shoes and accessories inspired by Tokyo's famous Tsukiji fish market
Paul Smith clothes, shoes and accessories inspired by Tokyo’s famous Tsukiji fish market; photo: Paul Smith

 

This Summer, Paul Smith pays tribute to Tokyo’s world famous Tsukiji Market with a series of colourful fish graphics.

Top of the pots: the smashing rise of ceramics

Record auction prices, pottery classes bursting at the seams, Instagram superstars and innovative young artists … what’s behind the boom in all things clay?

‘Azzedine Alaïa couldn’t give a damn what other people said was the new mood’

Ahead of the first UK solo exhibition of the couturier’s work, former colleague Sophie Hicks remembers his exacting pursuit of fashion perfection

Tiffany & co debuts The Home Collection in Europe at 2018 Salone del Mobile Milano

 

 

Tiffany & Co. announced the debut of its Home & Accessories collection in Europe. To celebrate the collection launch during the prestigious Salone de Mobile design fair, the luxury jewelry house is unveiling a creative installation within its Piazza Duomo store in Milan.

Drawing inspiration from the whimsical wit of Home & Accessories, the store will be transformed into a greenhouse – a reinterpretation of the intricate sterling silver, copper and glass masterpiece handcrafted by Tiffany artisans. The façade of the store echoes the linear architecture of the greenhouse, while the design theme continues throughout the store with a large-scale greenhouse on the main floor and artistic floral creations.

Tiffany & Co The Greenhouse Project 2018 by Artist shantell_martin
Tiffany & Co The Greenhouse Project 2018 by Artist Shantell Martin; photo: Tiffany & Co

Five female artists: Anna Galtarossa, Shantell Martin, Marilyn Minter, Laurie Simmons and Anna-Wili Highfield, were chosen by Tiffany’s chief artistic officer, Reed Krakoff, to interpret the garden structure through their contemporary and innovative lens. The exterior window displays will reimagine their extraordinary vision through works that range from sculpture to collage. The creative installation is on display, from April 15 to April 22.

“We chose to elevate the greenhouse from Home & Accessories because it is a perfect expression of Tiffanycraftsmanship and a symbol of the power of creativity,” says Krakoff.

“My vision for the Tiffany greenhouse was to fill it with beautiful Tiffany objects until they exploded out through the windows, out through the roof,” said artist Marliyn Minter on The Greenhouse Project

“I’m a huge collaborator. When it’s a great fit, you get to make something that’s really amazing,” added artist Shantell Martin on The Greenhouse Project.

Tiffany & Co The Greenhouse Project 2018 by artist marilyn minter
Tiffany & Co The Greenhouse Project 2018 by artist marilyn minter; photo: Tiffany & Co