In a premiere, CHANEL has entrusted a contemporary artist the staging of Haute Couture show

@CHANEL Spring-Summer 2022 Haute Couture show

The visual universe of the CHANEL Spring-Summer 2022 Haute Couture show.

Suspended, fresh, feminine. Between fantasy and reality, the CHANEL Spring-Summer 2022 Haute Couture collection designed by Virginie Viard expressed an ethereal lightness. Bright, joyful silhouettes float amidst geometric structures in a graphic setting created by Xavier Veilhan. A decor evoking equestrian curves and constructive lines contrasts with airy silhouettes, delicate embroideries and precious flowers.
In response to Virginie Viard’s invitation, artist Xavier Veilhan has created the visual universe for the CHANEL Spring-Summer 2022 Haute Couture show at the Grand Palais Éphémère.

For the first time ever, CHANEL has entrusted a contemporary artist to imagine the staging of a show. Part landscape, part garden and part open theatre stage, Xavier Veilhan’s project for CHANEL integrated both the catwalk and seating reserved for spectators. This functional layout conjures up images and notions dear to the artist: from the equestrian and canine paths to the architecture of a mini-golf course, from the principle of lightness (inflatable elements) to the use of simple and seemingly modest materials (natural plywood, floor mats, stage risers).

 

“We also find recurring elements of the artist’s vocabulary here, in particular the image of the horse (often present, filmed or represented in his shows), the oversized musical instruments by the Studio Venezia from the French Pavilion at the Venice Biennale (2017), as well as allusions to a modernity that began with the avantgarde of the 1920s. All references that intersect with the world of CHANEL and echo the creations of Mademoiselle Chanel, Karl Lagerfeld and Virginie Viard.” – Chanel.

For this project, Virginie Viard and Xavier Veilhan decided to work with the songwriter Sébastien Tellier – who has been close to the designer and the House of CHANEL for many years -, the photographer Ola Rindal, with whom Xavier Veilhan has signed a series of images, and the set designer Alexis Bertrand. Each of them has already been involved with exhibitions, performances and shows by the artist. Charlotte Casiraghi, the House ambassador and an accomplished horsewoman, is portrayed in a film that evokes an imaginary world linked to CHANEL. Sébastien Tellier, author-composer and friend of the the luxury brand, performed a series of new tracks specially composed for the occasion on oversized instruments, and the Cristal Baschet, a rare crystal organ from the Studio Venezia of the French Pavilion at the 57th Venice Biennale in 2017.

@CHANEL Spring-Summer 2022 Haute Couture

Charlotte Casiraghi, who opened the Spring-Summer 2022 Haute Couture show on horseback, presented a collarless CHANEL jacket with 3/4 sleeves, with jeweled buttons and rounded shoulders worn with matching flared trousers in lapis blue tweed woven with sequins and ribbons.

The soft and deliberately subdued lighting created a dreamlike atmosphere, emphasising the beauty of the models and the extreme delicacy of the Haute Couture creations. Resulting from the collaboration between CHANEL Haute Couture and the oeuvre of Xavier Veilhan, this project contributes to making the show a moment of pure aesthetic emotion, translating Haute Couture’s exclusivity and quest for perfection.

Light as air, a long black dress and matching bolero jacket are crafted in precious Chantilly lace and hand-painted with graphic white daisies. In airy layers of suspended volume, a flounce top in black houndstooth lace with cascading gemstone embroidery is worn over a matching flared mermaid skirt. The scooped neck hourglass jacket in blue cotton tweed mounted on tulle is worn over a matching jumpsuit for a fluid A-line silhouette.
Contrasting graphic shine and precious lace, a CHANEL skirt suit with a matching boxy jacket and apron skirt in metallic lamé tweed is worn over a sleeveless shirtdress in white lace with crystal buttons. The V-neck coat dress in windowpane check raspberry tweed is trimmed with cream cotton braid and pearl-encrusted buttons.

@CHANEL Spring-Summer 2022 Haute Couture
@CHANEL Spring-Summer 2022 Haute Couture campaign

Back to where it started: Giorgio Armani Men’s SS22 explored clothing that frees instead of constricting

 

Mr Armani and Mr Pantaleo Dell’Orco Head of the Men’s Style Office for all collections, Giorgio Armani, Emporio Armani and Armani Exchange pose together with the models after the Giorgio Armani Men’s SS22 fashion show. @Armani

Giorgio Armani Men’s SS22 fashion show celebrated the return of the live runway show.

Giorgio Armani Men’s Spring Summer 2022 collection is imbued with a particular sense of lightness: weightless materials, shapes that fluidly caress the body, a calm and nonchalant attitude.

On Via Borgonuovo, Milano, the place where it all began, Giorgio Armani explored once again the idea of clothing that frees instead of constricting, of carefree thoughts instead of carelessness, of classic as proof of progress. He does so by observing the times in which we live, the shared sense of style that is increasingly moving away from formality and decisively embracing the informality of sportswear. However, Giorgio Armani never gives up his sense of pertinence, which is an idea of dignity, of disdain for any excess — even when he reaches the height of nonchalance, even in the liberating gesture of legs uncovered by Bermuda shorts.

The suit is revamped in its shapes, proposing the idea of coordinated top and bottom: an evening shirt with a stand-up collar or a denim jacket-like cut combined with trousers with darts made in the same pinstripe wool, or a gilet-jacket with Bermuda shorts.

A sporty way of dressing—dynamic, comfortable and bold—made up of instinctive and essential choices and colours that span from blue to sandy hues and chalk white, with pops of red and green that recall the world of nature — always in harmony, of course. Here are some of the key looks from the Giorgio Armani SS22 Men’s Collection which showed in the historic headquarters in Via Borgonuovo 21, Milano, Italy.

@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show
@Giorgio Armani SS22 Men’s Collection Fashion Show

 

Dior tackles critics head-on with all-black fashion show

Menswear designer Kim Jones shines spotlight on Ghana in tie-up with painter Amoako Boafo

Boss introduces vegan suit and first jewelry collection

    BOSS Menswear introduces the vegan suit, approved by PETA Deutschland. The design, available in three colors, is made in Germany from pure, certified organic European-grown linen. After talks with PETA Germany, fashion house HUGO BOSS has launched its first completely animal-free men’s suit, certified with the “PETA-Approved Vegan” logo, as part of its … Read more

Louis Vuitton spurns coronavirus fears with dramatic closing show at Louvre

Unexpected pairings and subverted functions. For his Louis Vuitton Fall-Winter 2020 Collection, Women’s Artistic Director Nicolas Ghesquière presents a clash of styles for dressing without protocol.

Louis Vuitton Fall Winter 2020-2021 fashion show at Louvre; @Louis Vuitton youtube

 


Powered by Guardian.co.ukThis article titled “Louis Vuitton spurns coronavirus fears with dramatic closing show at Louvre” was written by Jess Cartner-Morley, for theguardian.com on Wednesday 4th March 2020 10.33 UTC

The Louvre is currently closed to visitors due to staff concerns about coronavirus, but the Louis Vuitton show must go on. The museum reopened its doors on Tuesday evening for the world’s most valuable luxury brand to close Paris fashion week, with a catwalk show staged in the inner courtyard of the museum.

The last fashion show of a month in which the disruption of cancelled shows and the chilling images of designer face masks have been a circus hall of mirrors held up to an anxiety-ridden zeitgeist was, appropriately, a climactic costume drama.

A 200-person choir in period dress spanning 500 years was the backdrop for what designer Nicolas Ghesquière called a “collision of times”. A 17th-century Cavalier in curls and feathered hat sat next to a flapper in lacquered bob and strings of pearls; there was a 1950s housewife, and an Edwardian gentleman with watch fob and waistcoat. The choir’s wardrobe was the work of Milena Canonero, a costume design collaborator of Stanley Kubrick, whose films have spanned three centuries from the 18th-century setting of Barry Lyndon to 2001: A Space Odyssey and the dystopian future of A Clockwork Orange.

“I wanted a group of characters that represent different countries, different cultures, different times,” Ghesquière told Vogue. “I love this interaction between the people seated in the audience, the girls walking, and the past looking at them – these three visions mixed together.”

A model at the Louis Vuitton show in the Louvre on 3 March. Designer Nicolas Ghesquière called the collection a “collision of times”.
A model at the Louis Vuitton show in the Louvre on 3 March. The designer Nicolas Ghesquière called the collection a ‘collision of times’. Photograph: Pixelformula/Sipa/Rex/Shutterstock

Juxtapositions of fashion history are a signature of Ghesquière, whose catwalks have blended sci-fi with baroque, and the belle époque with the 1970s.

This collection mashed Toulouse-Lautrec petticoats with motocross jackets, and garish sportswear graphics with dandy tailoring. For the all-important accessories, Ghesquière travelled back in time to treasures in the Louis Vuitton archive. Classic luggage trunks and the logo-stamped Keepall holdall – which he called “a pure vintage piece that acquires a beautiful patina over time” – were scaled down in size and swung by shoulder straps.

The collection paired Toulouse-Lautrec petticoats with motocross jackets.
The collection paired Toulouse-Lautrec petticoats with motocross jackets. Photograph: Pixelformula/Sipa/Rex/Shutterstock

As well as being a showcase for Vuitton’s next collection and a finale for Paris fashion week, the event was a curtain-raiser for the upcoming Costume Institute at the Metropolitan Museum. About Time: Fashion and Duration, which will open with the annual fashion extravaganza of the Met Gala on 4 May, is sponsored by Louis Vuitton and co-chaired this year by Ghesquière alongside Anna Wintour, Lin-Manuel Miranda, Meryl Streep and Emma Stone.

Curator Andrew Bolton told a press conference this week: “In recent years, time has dominated discussions within the fashion community. These talks are centred around the accelerated production, circulation, and the consumption of fashion in the 21st century. So we thought it might be an opportune moment to explore the temporal character of fashion from a historical perspective.”

guardian.co.uk © Guardian News & Media Limited 2010

Published via the Guardian News Feed plugin for WordPress.