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Gaze, don’t glance: Leonardo da Vinci, the immersive show, opens at National Gallery

 

 

leonardo experience a masterpiece 2019-2020
“Leonardo: Experience a Masterpiece” is at the National Gallery from 9 November to 12 January. Standard weekday admission £18. @national gallery

Powered by Guardian.co.ukThis article titled “Gaze, don’t glance: Leonardo da Vinci, the immersive show, opens at National Gallery” was written by Mark Brown, Arts correspondent, for The Guardian on Thursday 7th November 2019 16.33 UTC

An experimental exhibition will this weekend open at the National Gallery in London with a simple aim – to encourage people to spend minutes rather than seconds looking at a masterpiece.

“This whole exhibition is about getting slower looking,” said Caroline Campbell, the gallery’s director of collections and research, ahead of a show which, boldly, has just one work of art: Leonardo da Vinci’s The Virgin of the Rocks.

She added: “We want to get people to spend more time looking at a really great work of art because we feel that people sometimes spend 15 seconds looking at a painting in the gallery.”

Campbell said the gallery had purposefully set out to do something no other gallery had done with the immersive exhibition. “The purpose of this project … is that you understand and enjoy and appreciate one of the National Gallery’s great masterpieces even better.”

Detail of Leonardo’s The Virgin of the Rocks projected into a room at the National Gallery presented as a conservation studio.
Detail of Leonardo’s The Virgin of the Rocks projected into a room at the National Gallery presented as a conservation studio. Photograph: Tolga Akmen/AFP/Getty

The show has been created by 59 Productions, the company behind the video design used for the opening ceremony of the 2012 Olympics.

Visitors to the National Gallery, using timed entry, will walk through multi-sensory rooms which explore various aspects of the Leonardo painting. One room invites visitors to play around with light, illuminating various angles of an object, a subject endlessly explored by Leonardo. Another room attempts to bring to life the modern conservation studio.

The final room hosts the painting, which has been set in a model of the altarpiece that housed it, in 1508, in the chapel of the Confraternity of the Immaculate Conception in the church of San Francesco Grande, Milan, Italy. That room has a seven minute audio-visual loop.

Richard Slaney, managing director of 59 Productions, said visitors so far had been staying the course. “People have become mesmerised by the painting,” he said. “The idea of a show like this, with only one painting, is a big experiment but it’s nice to be able to part of that and see what people make of it.”

The show is the National Gallery’s contribution to celebrations marking the 500th anniversary of Leonardo’s death.

The main event is the huge Leonardo show at the Louvre, in Paris, running until 24 February next year, to which the National has lent its other Leonardo, the Burlington House Cartoon. The Louvre, which has in its collection an earlier version of The Virgin of the Rocks, had not asked to display the London painting because they knew it could not travel, said Campbell.

Leonardo: Experience a Masterpiece is at the National Gallery from 9 November to 12 January. Standard weekday admission £18.

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Giambattista Valli comes to H&M – but will couture work on the high street?

 

 

giambatista valli and handm 2019 fashion collaborations
Giambattista Valli x H&M; @H&M

photos: @Giambattista Valli x @H&M


Powered by Guardian.co.ukThis article titled “Giambattista Valli comes to H&M – but will couture work on the high street?” was written by Ellie Violet Bramley, for theguardian.com on Thursday 7th November 2019 15.07 UTC

The Italian couturier Giambattista Valli isn’t a household name in the same way as H&M’s previous designer collaborators – which range from Balmain to Moschino and Versace – were, but it didn’t stop some people camping out all night in parky weather.

Amal Clooney wearing a Valli creation.
Amal Clooney wearing a Valli creation. Photograph: Olycom SPA/Rex

The number attending seemed to be lower than for previous collaborations – one regular queue-goer estimated that it was about half that of previous years – but there was still a small snake of people outside H&M Oxford Circus in London before the collection’s 8am launch.

Alexandra Lindblad, 26, had been waiting since 4am, while others had been there since midnight. “They have only 100 pieces of each, so if you’re not here early, you don’t get anything – and the website always crashes,” she said.

The haute couture-inspired collection, which also launched at other big stores across London, Dublin, Manchester and Birmingham (as well as online) is perhaps the fanciest of H&M’s designer collaborations so far. As Valli told Vogue earlier this year: “I was very surprised and flattered [by H&M’s interest]. The idea is to bring the Valli DNA of extraordinary, of one-of-a-kind, of uniqueness, of couture.”

Shoppers described how they felt about having the chance to get their hand on his designs – popular with celebrities such as Rihanna, Amal Clooney and Ariana Grande, they usually go for thousands of pounds. “It’s not really in my price range,” said Lindblad, “so any couturier, especially from Paris, is exciting.”

Embroidered coats and knee-high socks … items from the collaboration.
Embroidered coats and knee-high socks … items from the collaboration. Photograph: H&M

The collection’s 41 pieces for women and 31 for men – the first time Valli has branched out into menswear – include embroidered coats for £299.99, a leopard print hoodie (£59.99), logo tights, pearly jewellery and floaty floral dresses. There are jumpers decorated with rose prints and historical figures in ruffs (£79.99), and knee-high socks adorned with pink hearts (£14.99).

This is a collaboration perhaps geared more towards the fashion-heads than previous H&M offerings, as evidenced by those in the queue. Fashion student Nadia Roberts, 21, loves Valli’s work: “It’s just very beautiful, well-made couture.” She had been queueing since 6.30am for a faux fur-trimmed aviator coat from the collection.

Lindblad, who works for Christian Dior, thinks his work is interesting for being “a little bit different shape-wise compared with what you normally find”. While Anne-Marie Buckley, who has worked in fashion and has been familiar with his work for a long time, thinks “it’s very elegant and very feminine. I think at the moment things are very unstructured and hard-wearing, and I think he’s delicate and fluid.” It is, she said, a savvy pre-party season collaboration.

A dress from the new collection.
A dress from the new collection. Photograph: H&M

Announced in May at the amfAR Gala in Cannes, the collection was unleashed at a show at Rome’s grand palazzo in late October, where the model Kendall Jenner took over the runway in the collection’s most hyped dress – large, red, frilly and available for £299.99.

In recent years, Valli’s couture collections have doubled down on the froufrou tulle frocks that found mainstream fans when a similarly voluminous Molly Goddard dress was worn by Jodie Comer in Killing Eve. Often compared to millefeuille, these colossi don’t shout high street – and many in the queue admitted they were there for the more understated pieces. Lindblad knows she wouldn’t be able to wear the Jenner dress: “I’m not fancy enough to go anywhere where that would work.” On the other hand, Roberts thinks it’s amazing, “but it doesn’t appeal to everyone; you have to be going to somewhere very special. I wouldn’t buy it because I’m short.”

Other people were feeling bolder. A 21-year-old student Tara Genovese was at least hoping to try on the big red dress. But “I’m not sure I’m going to have the occasion to wear that, so I’m more looking at the red shirt or the little dress with flowers”.

Elina Sharifi’s boyfriend told her the pink tulle dress she was planning to buy would “make her look like a bonbonniere, but I think for a special occasion it will be very beautiful.” While Pam Oushal, 51, planned to wear the dress to a big wedding she is attending soon. Of its impracticality, she said: “Darling, fashion is impractical. If it’s day clothes, sure, but things like that are occasion-wear.”

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The best pore-cleansing toners

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