Pure Brilliance: Experiencing The Glamour of Luxury Jewels Through A Liverpool Story

This exquisite exhibition of Boodles jewellery is bound to mesmerise visitors to Lady Lever Art Gallery Liverpool as part of the art gallery’s centenary year celebrations.

“Pure Brilliance: The Boodles Story” exhibition at @Lady Lever Art Gallery Liverpool

“Pure Brilliance: The Boodles Story” exhibition at Lady Lever Art Gallery Liverpool showcases the jewellery brand’s 200 year story and shows how Liverpool has helped shape the company’s growth, from a family jewellery business to purveyors of some of the most stunning jewels in the world.

Visitors are invited to see how the heritage of Liverpool’s vibrant and creative jewellery industry in the late 19th century created a market for quality jewellery and metalwork, for which Boodles soon acquired a reputation.

@Boodles The Firebird Necklace
“Pure Brilliance: The Boodles Story” exhibition at @Lady Lever Art Gallery Liverpool

Lady Lever Art Gallery

The Lady Lever Art Gallery sits at the heart of the picturesque village of Port Sunlight on the Wirral peninsular, near Liverpool, UK. Both the gallery and the village were built by William Hesketh Lever (1851-1925), 1st Viscount Leverhulme.

Lever built the village to provide housing for the workers who worked in his soap factory. His most famous brand of soap was called ‘Sunlight’ soap. Today, Lever’s legacy, particularly the impact of his business practices around the world, is being researched and re-evaluated.

Lever’s interest in art developed after purchasing paintings of cosy, homely, scenes to use in advertisements for his soap. As both his wealth and his interest in art grew, his art collection also expanded and became more diverse. Lever built the Gallery to house his immense art collection and to make it accessible to everyone. Most notable is Lever’s collection of paintings by Pre-Raphaelite artists and their successors, which is of international importance. The ornamental Wedgwood jasperware collection is unrivalled anywhere in the world and Lever’s collection of British 18th century furniture is one of the best in the country.

In this the Gallery’s centenary year, the collections are continuing to stimulate and inspire visitors, just as Lever intended.

Stunning pieces of historic jewellery from Liverpool makers and racing trophies made by Boodles illustrate the early years of the firm. The company’s rise from city jeweller to the pinnacle of high-end design and manufacture are shown through the dazzling and contemporary jewellery on display.

GRAND NATIONAL TROPHY (1950); racing trophies made by @Boodles
@Boodles Lady Lever bracelet

Lady Lever Bracelet: This stunning bracelet has been made in celebration of the Boodles exhibition in the Lady Lever Art Gallery

Inspired by the beauty of the gallery the ‘Boodles Lady Lever’ bracelet has been designed to honour the exhibition. The choice of stones was inspired by the Pre-Raphaelite paintings the gallery houses, in the central hall of the gallery. Paintings by Rossetti, Millais, John William Waterhouse (Tale from the Decameron). The Movement had a very distinctive colour palette using newly available pigments. This luminosity of colour is a key characteristic of the Pre-Raphaelite Brotherhood and inspired the unique selection of gems stones, morganite, aquamarine, heliodor, green beryl & kunzite. In the gallery the paintings are all in decorative gold frames giving a warmth to the colours, so 18 carat gold was selected as the mount for the gems to bring the same warmth.

To further connect the design to the Lady Lever Gallery, the motifs in between the stones are inspired by the architecture. The figure of eight detailing that features between the stones can be seen in the architecture of the gallery by looking up to the dome and can also be seen in the architectural drawings displayed on the walls. Attention to detail and hidden elements of beauty are part of Boodles design ethos so as you look more closely at the design you will see diamonds tucked underneath the crescent and a loop of diamonds on the outer edge of the gold collet holding each coloured gemstone.

A DESIGN SKETCH OF THE #BOODLES GREENFIRE NECKLACE FEATURING MUZO EMERALDS (2013)
JUST BEYOND THE SETTING SUN: A DESIGN SKETCH (2019) by @Boodles

Boodles Lady Lever design bracelet is set with octagonal shape multi-gems and diamonds in 18 carat SMO yellow gold. The total weight of the aquamarines is 11.77 carats and 12.04 carats, morganite is 11.83 carats, kunzites is 14.15 carats and 15.58 carats, green beryl is 11.85 carats and yellow beryl is 11.92 carats.

Visitors will have the opportunity to see the story behind the pieces of jewellery on display, from the sourcing of precious stones and metals through to the design and the manufacture of the pieces. It’s an opportunity to get close to some of the most imaginative and luxurious jewellery in the world, created by a family firm which still has its head office in Liverpool today. The skill, creativity, and craftsmanship of the jewellery on display is of the highest quality, something which resonates with the craftsmanship shown in the collections of the Lady Lever Art Gallery, which celebrated its 100-year anniversary in December 2022.

The Boodles Story at the Lady Lever Art Gallery in Liverpool will run during the gallery’s 100th anniversary year, until 5 March 2023.

@Boodles Lady Lever bracelet

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Unique Objet Extraordinaire: Rêveries de Berylline automaton

Since its creation, the Maison Van Cleef & Arpels gave pride of place to extraordinary objects.

@Van Cleef & Arpels Rêveries de Berylline automaton 2022

Time flows with the rhythm of nature in the Van Cleef & Arpels garden.

Van Cleef & Arpels Rêveries de Berylline automaton is a flower born in an imaginary garden opens its petals to unveil a hummingbird ready to take flight. The Rêveries de Berylline automaton is the first in a series of pieces inspired by nature, a cherished theme for the Maison ever since its foundation.

The bird’s wings spread to beat for a few instants. The tiny and fragile hummingbird then goes back to its place at the center of the corolla, which simultaneously closes all its petals around the bird, gently enveloping it. The music that accompanies this scene has been specially written for this creation.

Van Cleef & Arpels’ hummingbird is a creation mixing white gold, light mauve and blue sapphires, emeralds and tsavorite garnets. The acanthus leaf features mirror-polished yellow gold and diamonds. The vivid flower in rose and yellow gold is adorned with yellow sapphires, mandarin garnets, diamonds and lacquer. The scene played out by the Rêveries de Berylline automaton gives pride of place to traditional crafts. Van Cleef & Arpels’ High Jewelry savoir-faire brings the bird to life: its glittering stones captivate the eye as it beats its wings.

Special care was taken in selecting the gems, whose shades recall the shimmering plumage of a real hummingbird. In a final detail, a mauve briolette-cut sapphire seems suspended from the bird’s beak like a drop of water, its color subtly varying with the play of the light.

@Van Cleef & Arpels Rêveries de Berylline automaton 2022
@Van Cleef & Arpels Rêveries de Berylline automaton 2022

The scene played out by the Rêveries de Berylline automaton gives pride of place to traditional crafts. Entirely sculpted, the base of the creation is made up of two pieces of red porphyry and a bowl in lapis lazuli.

The stones were intricately carved and polished to bring out all their character and inherent life. Harmoniously sprinkled with inclusions, their material is testimony to the luxury jewelry brand’s expertise in selecting ornamental stones that are rare or unusual in jewelry.

Lastly, a corolla of fine petals crowns the summit of the automaton, adorned with gentle shades created using the exacting skill of lacquer work. Painted individually using an airbrush in several successive layers, the 36 petals reveal subtle gradations of color, which are identical from one petal to the next.

@Van Cleef & Arpels Rêveries de Berylline music automaton 2022

Van Cleef & Arpels list of objets extraordinaires include also:

  • A Chinese inspired table clock (1930) in yellow gold, carved turquoises, onyx, lapis lazuli, enamel.
  • Ducks table clock (1930) in Yellow gold, jade, enamel, diamonds. In the former collection of the Duke and the Duchess of Windsor. Drawing featuring the “Hommage à Galilée”
  • Mystery table clock, 1998. Van Cleef & Arpels Archives
  • @Van Cleef & Arpels Objets Extraordinaires
@Van Cleef & Arpels Fontaine aux Oiseaux and @Van Cleef & Arpels Lady Arpels Heures Florales Cerisier watch awarded at the Grand Prix d’Horlogerie de Genève 2022

Last November, Van Cleef & Arpels Fontaine aux Oiseaux automaton and Van Cleef & Arpels Lady Arpels Heures Florales Cerisier watch were awarded at the Grand Prix d’Horlogerie de Genève 2022

Created in 2001, the Grand Prix d’Horlogerie de Genève (GPHG) highlights and yearly rewards the most remarkable contemporary creations. In November of each year the event draws elite representatives of the international watchmaking profession, united in honouring the finest creations and stakeholders who breathe vitality and creativity into the watchmaking world.

The Fontaine aux Oiseaux automaton watch was awarded the Mechanical Clock Prize at the Grand Prix d’Horlogerie de Genève 2022. Combining animation on demand and retrograde time display, this creation offers a double spectacle. The automaton comes to life for about a minute, revealing a touching scene thanks to the movement of the different elements. The water of the pond starts to undulate, a water lily flower opens its petals while a dragonfly rises flapping its wings and swiveling slightly. Birds on the edge of the fountain awaken and their song rings out.

The experience of the automatier François Junod was once again combined with that of lapidaries, jewelers, gem setters, enamellers, and cabinet makers: so many virtuosos who have dialogued and shared their know-how, each one going beyond their limits to give life to a poetic story. This unique Objet Extraordinaire, which required more than 4,300 hours of work in the Van Cleef & Arpels workshops and more than 25,200 hours overall, embodies a collective human adventure.

@Van Cleef & Arpels Lady Arpels Heures Florales Cerisier Ladies Watch 2022

The Lady Arpels Heures Florales Cerisier watch also stood out by winning the innovation prize. Its three-dimensional dial poetically depicts the passage of time through the opening and closing of 12 corollas. The reading of the time becomes a spectacle, as the flowers bloom and close in a random way, renewing the landscape of the dial every 60 minutes. At each time change, the open flowers close to make way for a new combination. No less than 226 elements are enhanced by the craftsmen of the Geneva Watchmakers’ Workshop. Petals in painted mother-of-pearl, butterflies in miniature paint, branches in sculpted gold and clouds in sculpted mother-of-pearl are enhanced by a very fine setting.

@Van Cleef & Arpels Rêveries de Berylline music automaton 2022

Dakar – an influential artistic capital for 2023 Métiers d’art CHANEL

2022/2023 Métiers d’art CHANEL – DAKAR fashion show.

2022/2023 Métiers d’art CHANEL – DAKAR show; @Chanel

The city of Dakar was chosen as the location for the 2022/23 Métiers d’art CHANEL – DAKAR collection, following meetings over the past three years between Virginie Viard and friends of the French luxury brand who have either lived there, are carrying out artistic projects there, or who are drawn to the city’s creative effervescence.

An influential artistic capital on the international scene, particularly in fields dear to CHANEL, such as fashion, cinema, dance, literature, contemporary art and music, Dakar marks the beginning of an ongoing exchange between the luxury House and Senegal.

Against the majestic backdrop of Dakar’s former Palais de Justice, with its rhythmic columns and sunlit inner garden, the 2022/23 Métiers d’art CHANEL – DAKAR collection celebrated the spirit of the 1970s with silhouettes with vibrating colours and richly ornate embroideries of beads and sequins, Chanel’s textured tweeds and floral motives.

“It’s first and foremost a story of encounters,” says Bruno Pavlovsky, President of CHANEL SAS and of 𝘭𝘦19M, about the presentation of the Métiers d’art 2022/23 CHANEL – Dakar collection.

2022/2023 Métiers d’art CHANEL – DAKAR show; @Chanel
2022/2023 Métiers d’art CHANEL – DAKAR show; @Chanel

Imagined by Virginie Viard and crafted between the CHANEL Ready-to-Wear ateliers in Paris and the Maisons d’art of 𝘭𝘦19M, the 2022/23 Métiers d’art CHANEL – DAKAR collection is the result of multiple meetings over the past three years between Virginie Viard and artists of all backgrounds: the choreographer Dimitri Chamblas who called on Germaine Acogny’s École des Sables dancers, but also directors, musicians and writers, all together with friends of the House.

The show is part of a vast cultural programme and the starting point of an ongoing exchange between the luxury fashion House and Senegal.

On December 7th, 2022, the day after the show, the House organised a talk in Dakar’s former Palais de Justice, in Senegal, in front of an audience made up of pupils and students, artists and local and international guests. This discussion also brought together the ambassador of the House, Pharrell Williams, the architect and scenographer Mamy Tall, as well as several artists that collaborated with Virginie Viard on the artistic programme surrounding the show: choreographers Dimitri Chamblas and Germaine Acogny, founder of the École des Sables, and musician and rapper NIX.

2022/2023 Métiers d’art @CHANEL – DAKAR show; Images by Malick Bodian with Ibrahim Kamara.
2022/2023 Métiers d’art @CHANEL – DAKAR show; Images by Malick Bodian with Ibrahim Kamara.

Together, they discussed the artistic creation in Senegal and the transmission of savoir-faire.

Bruno Pavlovsky also evoked CHANEL’s approach and its first fashion show in West Africa, with a collection imagined by Virginie Viard which aims to pay tribute to the virtuosity of the CHANEL Maisons d’art.

It was also an opportunity to announce the first international exhibition of 𝘭𝘢 Galerie 𝘥𝘶 19M in Dakar, which will be held from January 12th to March 31st and designed by the scenographer Mamy Tall, at the heart of IFAN (Théodore Monod-Institut fondamental d’Afrique noire). The general public will be able to discover a series of initiatives in collaboration with Senegalese artists, craftsmen and cultural institutions.

2022/2023 Métiers d’art @CHANEL – DAKAR show; Images by Malick Bodian with Ibrahim Kamara.
2022/2023 Métiers d’art @CHANEL – DAKAR show; Images by Malick Bodian with Ibrahim Kamara.
2022/2023 Métiers d’art @CHANEL – DAKAR; Images by Malick Bodian with Ibrahim Kamara.
2022/2023 Métiers d’art @CHANEL – DAKAR; Images by Malick Bodian with Ibrahim Kamara.

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