From a solar powered water irrigation system to a sheep’s wool compost: RHS Chelsea Sustainable Garden Product of the Year Shortlist 2022

RHS Chelsea Flower Show, the world’s greatest flower show, returns in spring with stunning garden designs, gorgeous floral displays and endless shopping. The RHS Chelsea Flower Show Garden Product of the Year was launched in 2021 to recognise the best new garden products at the show. In line with the ever increasing importance to ensure … Read more

In a premiere, CHANEL has entrusted a contemporary artist the staging of Haute Couture show

@CHANEL Spring-Summer 2022 Haute Couture show

The visual universe of the CHANEL Spring-Summer 2022 Haute Couture show.

Suspended, fresh, feminine. Between fantasy and reality, the CHANEL Spring-Summer 2022 Haute Couture collection designed by Virginie Viard expressed an ethereal lightness. Bright, joyful silhouettes float amidst geometric structures in a graphic setting created by Xavier Veilhan. A decor evoking equestrian curves and constructive lines contrasts with airy silhouettes, delicate embroideries and precious flowers.
In response to Virginie Viard’s invitation, artist Xavier Veilhan has created the visual universe for the CHANEL Spring-Summer 2022 Haute Couture show at the Grand Palais Éphémère.

For the first time ever, CHANEL has entrusted a contemporary artist to imagine the staging of a show. Part landscape, part garden and part open theatre stage, Xavier Veilhan’s project for CHANEL integrated both the catwalk and seating reserved for spectators. This functional layout conjures up images and notions dear to the artist: from the equestrian and canine paths to the architecture of a mini-golf course, from the principle of lightness (inflatable elements) to the use of simple and seemingly modest materials (natural plywood, floor mats, stage risers).

 

“We also find recurring elements of the artist’s vocabulary here, in particular the image of the horse (often present, filmed or represented in his shows), the oversized musical instruments by the Studio Venezia from the French Pavilion at the Venice Biennale (2017), as well as allusions to a modernity that began with the avantgarde of the 1920s. All references that intersect with the world of CHANEL and echo the creations of Mademoiselle Chanel, Karl Lagerfeld and Virginie Viard.” – Chanel.

For this project, Virginie Viard and Xavier Veilhan decided to work with the songwriter Sébastien Tellier – who has been close to the designer and the House of CHANEL for many years -, the photographer Ola Rindal, with whom Xavier Veilhan has signed a series of images, and the set designer Alexis Bertrand. Each of them has already been involved with exhibitions, performances and shows by the artist. Charlotte Casiraghi, the House ambassador and an accomplished horsewoman, is portrayed in a film that evokes an imaginary world linked to CHANEL. Sébastien Tellier, author-composer and friend of the the luxury brand, performed a series of new tracks specially composed for the occasion on oversized instruments, and the Cristal Baschet, a rare crystal organ from the Studio Venezia of the French Pavilion at the 57th Venice Biennale in 2017.

@CHANEL Spring-Summer 2022 Haute Couture

Charlotte Casiraghi, who opened the Spring-Summer 2022 Haute Couture show on horseback, presented a collarless CHANEL jacket with 3/4 sleeves, with jeweled buttons and rounded shoulders worn with matching flared trousers in lapis blue tweed woven with sequins and ribbons.

The soft and deliberately subdued lighting created a dreamlike atmosphere, emphasising the beauty of the models and the extreme delicacy of the Haute Couture creations. Resulting from the collaboration between CHANEL Haute Couture and the oeuvre of Xavier Veilhan, this project contributes to making the show a moment of pure aesthetic emotion, translating Haute Couture’s exclusivity and quest for perfection.

Light as air, a long black dress and matching bolero jacket are crafted in precious Chantilly lace and hand-painted with graphic white daisies. In airy layers of suspended volume, a flounce top in black houndstooth lace with cascading gemstone embroidery is worn over a matching flared mermaid skirt. The scooped neck hourglass jacket in blue cotton tweed mounted on tulle is worn over a matching jumpsuit for a fluid A-line silhouette.
Contrasting graphic shine and precious lace, a CHANEL skirt suit with a matching boxy jacket and apron skirt in metallic lamé tweed is worn over a sleeveless shirtdress in white lace with crystal buttons. The V-neck coat dress in windowpane check raspberry tweed is trimmed with cream cotton braid and pearl-encrusted buttons.

@CHANEL Spring-Summer 2022 Haute Couture
@CHANEL Spring-Summer 2022 Haute Couture campaign

Of Grace and Light: Purely emotional and slightly extreme Valentino Haute Couture Show

    A dream of pure fashion, blooming and flourishing in light. Valentino bets on immaculate, elongated dresses telling an Haute Couture story of craftsmanship and artistry. Across history, moments of reset, or restart, invariably put human values at the center. Humanism is the seed of rebirth. This is one of such moments, says Valentino. … Read more

Camp: Notes on Fashion at The Met embodies the ironic sensibilities of this audacious style

 

 

Camp Notes on Fashion 2019
Camp Notes on Fashion 2019 exhibition; @metmuseum.org

The Costume Institute’s spring 2019 exhibition, Camp: Notes on Fashion (on view from May 9 through September 8, 2019, and preceded on May 6 by The Costume Institute Benefit), explores the origins of camp’s exuberant aesthetic and how the sensibility evolved from a place of marginality to become an important influence on mainstream culture. Susan Sontag’s 1964 essay “Notes on ‘Camp’” provides the framework for the exhibition, which examines how fashion designers have used their métier as a vehicle to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways.

“Camp’s disruptive nature and subversion of modern aesthetic values has often been trivialized, but this exhibition reveals that it has had a profound influence on both high art and popular culture,” said Max Hollein, Director of The Met.

“By tracing its evolution and highlighting its defining elements, the show embodies the ironic sensibilities of this audacious style, challenges conventional understandings of beauty and taste, and establishes the critical role that this important genre has played in the history of art and fashion.”

In celebration of the opening, The Costume Institute Benefit—also known as The Met Gala—took place on Monday, May 6. The evening’s co-chairs were Lady Gaga, Alessandro Michele, Harry Styles, Serena Williams, and Anna Wintour. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

Camp Notes on Fashion 2019 exhibition-
Camp Notes on Fashion 2019 exhibition; @metmuseum.org
Camp Notes on Fashion 2019 exhibition
Camp Notes on Fashion 2019 exhibition; @metmuseum.org
Cardi B at Met Gala 2019
Cardi B at Met Gala 2019; @metmuseum.org

“Fashion is the most overt and enduring conduit of the camp aesthetic,” said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute. “Effectively illustrating Sontag’s ‘Notes on “Camp,”’ the exhibition advances creative and critical dialogue about the ongoing and ever-evolving impact of camp on fashion.”

The exhibition features approximately 250 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present. The show’s opening section positions Versailles as a “camp Eden” and address the concept of se camper—“to posture boldly”—in the royal courts of Louis XIV and Louis XV.

It then focuses on the figure of the dandy as a “camp ideal” and traces camp’s origins to the queer subcultures of Europe and America in the late 19th and early 20th centuries. In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The second section of the exhibition is devoted to how these elements—which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration—are expressed in fashion.

Designers whose work is on view in the exhibition include Virgil Abloh (for Off-White c/o Virgil Abloh); Giorgio Armani (for Armani Privé); Manish Arora; Ashish; Christopher Bailey (for Burberry); Cristóbal Balenciaga among many others.

 

Cara Delevingne shows off her campy ensemble for the MetGala
Cara Delevingne shows off her campy ensemble for the Met Gala; @twitter.com/metmuseum

 

Jeremy Scott for House of Moschino. Ensemble, spring-summer 2018
Jeremy Scott for House of Moschino. Ensemble, spring-summer 2018; @instagram.com/metmuseum/; metmuseum.org
Jared Leto shows us that two heads may be better than one on the MetGala red carpet
Jared Leto shows us that two heads may be better than one on the MetGala red carpet; @instagram.com/metmuseum/; metmuseum.org; twitter.com/metmuseum

 

 

The woman warrior gets romantic at McQueen show in Paris

Sarah Burton mixes strength and fragility to create a picture of female power that feels part of the cultural conversation

Metallic moment: Burberry Prorsum Spring Summer 2013 Menswear

Burberry tailoring, plus vibrant geometric prints, metallic petrol blue iPad cases, day glow shirts and splash sunglasses will compose Spring Summer 2013 menswear wardrobe. Christopher Bailey adds a touch of metallic finish and a adds a little bit of glitz in menswear ensemble. The Burberry outfits and accessories are available to purchase until Sunday, July … Read more