Experience Ai Weiwei’s first virtual reality artwork, Omni

Ai Weiwei. Photograph: Gao Yuan. Ai Weiwei Studio

Powered by Guardian.co.ukThis article titled “Experience Ai Weiwei’s first virtual reality artwork, Omni” was written by Alex Needham and Simon Hattenstone, for theguardian.com on Tuesday 21st January 2020 13.30 UTC

Ai Weiwei’s first virtual reality video, which you can see here, is called Omni. It fuses together two films the artist has made focusing on the migrant crisis, immersing viewers in the upheaval of displacement and exile for both animals and humans.

The first part of Omni focuses on the elephants of Myanmar. Once, they worked with their trainers, mahouts, dragging logs from the jungle. Now the government has placed severe restrictions on their jobs and the animals are redundant. Lost and confused by the destruction of their natural environment, the elephants attempt to return to the wild, sometimes coming across the refugees whose camps have been erected on their long-lost migratory routes.

“I relate to the elephants,” Ai says. “There are lot of small ones who have lost their parents. Elephants are like humans. Without parents they cannot survive. They have to stay with them until they are seven years old.”

The second part of Omni drops the viewer into the centre of a migrant camp known as Cox’s Bazaar, in Bangladesh just over the border from the refugees’ home in Myanmar’s Rakhine state, where they have fled persecution, ethnic cleansing and a military crackdown. The work provides a migrants’-eye view of daily activities, such as queuing for supplies, and takes the viewer through the camp, from its tents to its markets and playgrounds.

As well as the harshness of life in the camp, it shows solidarity, sharing and teaching. “I feel a lot of positive things about humanity even in the worst conditions,” Ai said. “I don’t want to show that there is just sadness. Happiness and sadness always coexist. That’s a reason to protect that happiness.”

  • Omni was produced with Acute Art, who work with artists to make virtual and augmented reality videos. On 30 January, Ai Weiwei will show the project to an audience at a Guardian event at Conway Hall, London.
  • Viewers on mobile should have the YouTube app already pre-installed. You must click on the title in the embedded video, and will then be taken to the video in-app where you can actually experience the video in 360 degrees.

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Tortue de Soirée: a fusion of high jewellery and contemporary art

 

Bvlgari turtle by Francesco Vezzoli is on display at the Musée d’Orsay in Paris.

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Fusion between high jewellery and contemporary art, Bvlgari and the Italian artist Francesco Vezzoli have come together to create a precious sculpture, a brass-shelled tortoise set with precious stones, titled Tortue de Soirée.

The polished tortoise shell, beautifully rendered, is studded with tumbles of amethysts and cabochon-cut rubellite, peridot, citrine, and topaz (43 gems for about 1,500 carats in total), paired with nine ancient Greek silver coins.

Following the inspiration of Lucia Silvestri, Bvlgari’s Creative Director, Bulgari’s artisans passionately worked for 530 hours to set the stones and coins, turning the carapace into a jeweled masterpiece.

 

“Bvlgari is a brand deeply rooted in the past and deeply projected into the future. When I have approached them, I could have never hoped such a participation, such an enthusiasm in creating a project that has never been made before,” said Francesco Vezzoli.

“For me this sculpture is a case of public jewellery. It is an extremely precious object but it’s not made for private consumption. It is made for public consumption. So this is for me very interesting and I would like to say that it’s probably the first time in the history of art that something like that has happened,” added Vezzoli.

“The work combines Vezzoli’s exuberant imagination and Bvlgari’s creative talent, and it was made possible thanks to the Département du Patrimoine (heritage department) of Bvlgari. This project showcases the commitment of the brand to support creative talent, as well as cultural heritage,” wrote vogue.fr.

Discover La Tortue de Soirée at Musée d’Orsay, until 1st March 2020. The Bvlgari turtle is part of Musée d’Orsay’s exhibition ‘Joris-Karl Huysmans Art Critic. From Degas to Grünewald’.

 

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