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Motor Mouths: an audiovisual guide to the UK car industry – in pictures

 

Motor Mouths, created by the photographer and digital artist Richard Jones, offers an insight into Britain’s automotive landscape. Working in partnership with the British Motor Museum and Arts Council England, the audiovisual project includes a 17-minute digital installation of ‘talking portraits’ and timelapse clips featuring workers at the Vauxhall, Bentley and Morgan plants.

 

Motor Mouths digital installation- a collaboration between Richard Jones the British Motor Museum and Arts Council England
Motor Mouths digital installation- a collaboration between Richard Jones the British Motor Museum and Arts Council England; images: richardjonesphoto.com/motor-mouths/

 


Powered by Guardian.co.ukThis article titled “Motor Mouths: an audiovisual guide to the UK car industry – in pictures” was written by Richard Jones, for theguardian.com on Thursday 3rd May 2018 11.00 UTC

Motor Mouths tells the story of the automotive landscape in the UK, from highly automated car manufacturing plants to heritage, hand-built vehicles. Produced by the photographer Richard Jones, the audiovisual project – which took more than two years to plan and 14 months to create – centres on the work of Bentley, Morgan and Vauxhall.

Composite of the Vauxhall, Bentley and Morgan factories in the UK
Composite, from left: The Vauxhall plant at Ellesmere Port, near Liverpool. The factory, which produces the Astra, uses 900 robots, has 1,200 staff and can produce 37.5 cars per hour; last year, it made 92,020. Vehicles are covered for storage at Bentley Motors in Crewe. The luxury carmaker employs about 4,000 staff, most of them locals. In 2017, Bentley produced a record 11,000 cars. Vehicles wait to be pushed to the paint room at Morgan Motor Company in Gloucestershire. Morgan produces about 850 of its fully handcrafted cars at the plant each year Photograph: Richard Jones
  • From left: The Vauxhall plant at Ellesmere Port; cars are covered for storage and transport at Bentley Motors in Crewe; and Morgan Motor Company in Malvern

The result is an installation that glides from automated high-volume car manufacturing to Morgan’s hand-built wooden-framed cars, before pausing to consider the impact of factory closure at Longbridge, once the UK’s largest car plant.

Vauxhall plant in Ellesmere Port, UK
Vauxhall factory in Ellesmere Port, UKAstras on the production line. The Ellesmere Port plant can produce up to 37.5 vehicles per hour – about 680 a day Photograph: Richard Jones/RichardJonesPhoto.com 

  • Astras on the production line at Vauxhall’s Ellesmere Port factory near Liverpool

Vauxhall operates a highly automated plant where approximately 1,200 employees work alongside 900 robots. While staff numbers have decreased, the capacity of Astra production has increased.

Vauxhall factory in Ellesmere Port, UK
Vauxhall factory in Ellesmere Port, UK

There are about 900 robots that assemble the cars and approximately 1,200 staff at the plant
Photograph: Richard Jones/RichardJonesPhoto.com
Robots and the automated track in the body shop at the Vauxhall car plant
Robots and the automated track in the body shop at the Vauxhall car plant Photograph: Richard Jones/RichardJonesPhoto.com
A worker constructs cars at Vauxhall's Ellesmere Port plant
Vauxhall: Ellesmere Port, UKA worker constructs cars at the plant, near LiverpoolPhotograph: Richard Jones/RichardJonesPhoto.com 

Astra bodies line up at the Vauxhall car plant at Ellesmere Port
Vauxhall: Ellesmere Port, UKAstra bodies line up at the Vauxhall car plant at Ellesmere Port Photograph: Richard Jones/RichardJonesPhoto.com 

The plant can produce 37.5 vehicles per hour, or 680 per day. Once the steel is pressed, a car takes about six hours to construct. Last year Vauxhall produced 92,020 vehicles. A new model costs at least £17,000.

Dave Owens, a robot operator and mechanic, in the Vauxhall body shop
Vauxhall: Ellesmere Port, UK

Dave Owens, a robot operator and mechanic, in the body shop. He says: ‘We are all robots; we are all creatures of habit. I do what the robots do. I park in the same place, come through the door at the same time. Change into the same gear every day. I just do what the robots do. I follow a pattern. The only thing is we have to teach the robots the pattern to take.’
Photograph: Richard Jones/RichardJonesPhoto.com

Dave Owens, a robot operator and mechanic in the body shop at Vauxhall’s Ellesmere Port plant, says: “We are all robots; we are all creatures of habit. I do what the robots do: I park in the same place, come through the door at the same time, change into the same gear every day … I follow a pattern. The only thing is, we have to teach the robots the pattern to take.’

Bentley Motors in Crewe, Cheshire
Bentley Motors in CreweThe luxury carmaker, which employs about 4,000 people at its Cheshire plant, uses a unique mix of hi-tech and handcrafted techniques to create its vehicles. In 2017 the company produced a record 11,000 carsPhotograph: Richard Jones/RichardJonesPhoto.com 

  • Part of the highly modern factory of Bentley Motors in Crewe, Cheshire

Bentley Motors in Crewe, which employs 4,000 people, is a highly modern plant that mixes state-of-the-art technology with craftsmanship. The company’s German owners have invested heavily in the Cheshire-based plant. Bentley cars feature Italian leather made from Highland cows that graze in alpine meadows and plush walnut wood interiors.

Bentley employees make steering wheels
Bentley Motors in Crewe, CheshireEmployees make steering wheels by handPhotograph: Richard Jones/RichardJonesPhoto.com 

Bentley Motors, Crewe  Seats, headrests and interiors are hand-sewn from high-quality leather imported from Italy at Bentley in Crewe
Bentley Motors, CreweSeats, headrests and interiors are hand-sewn from high-quality leather imported from ItalyPhotograph: Richard Jones/RichardJonesPhoto.com 

A Bentayga rolls off the production line at Bentley Motors in Crewe
Bentley Motors in CreweA Bentayga rolls off the production line. This SUV model costs at least £165,000 but customisation can add another £80,000 to the price tagPhotograph: Richard Jones/RichardJonesPhoto.com 

Dave Green works on a Bentayga engine
Bentley Motors in CreweDave Green works on a Bentayga engine. He says: ‘In 1977, when I joined, the factory was completely different to what it is now. It’s far cleaner. We had no brew room – you just brewed up on the job. We used to physically push the car from one process to the next.’Photograph: Richard Jones/RichardJonesPhoto.com 

In 2017, Bentley Motors the Crewe plant produced a record 11,023 cars. The Bentayga model (pictured) costs from £165,000 and takes about 40 hours to build. The Mulsanne, which has an extended wheel base, is a sedan and costs at least £275,000. Customers can travel to the factory and visit its showrooms where they can see their car being built. After, they are offered a tour of the factory and chauffeured around the complex in Bentleys.

Phil Ward, a wood shop worker
Bentley Motors in CrewePhil Ward, a wood shop worker, says: ‘They are bringing the new robots, but they can’t do what we can. The cars still have to be made by hand on the bench’Photograph: Richard Jones/RichardJonesPhoto.com 

Phil Ward, who works in the wood shop, says: “Bentley is bringing the new robots and that sort of stuff – but even these robots can’t do what we can do. The cars still have to be made by hand on the bench by us.”

Cars are pushed from one production point to the next at Morgan Motor Company in Malvern
Morgan Motor Company in MalvernCars are pushed from one production point to the nextPhotograph: Richard Jones/RichardJonesPhoto.com 

  • Cars are pushed from one production point to the next at Morgan Motor Company in Malvern, Gloucestershire

The family-owned Morgan plant is nestled in the Malvern Hills, Gloucestershire. The factory opened in 1909 and has stayed true to its mission to construct high-quality, handmade racing-style cars. The plant produces 850 cars each year, all built to order, and employs 205 people.

Nigel Hall and Vince Wanklin are Morgan carpenters who build the vehicles’ wooden frame from ash
Morgan Motor Company in MalvernNigel Hall and Vince Wanklin are carpenters who build the vehicles’ wooden frame from ashPhotograph: Richard Jones/RichardJonesPhoto.com 

The Morgan factory produces about 850 cars each year
Morgan Motor Company in Malvern

The factory produces about 850 cars each year
Photograph: Richard Jones/RichardJonesPhoto.com
Adam Lusty, chief painter at Morgan Motor Company, takes about hours to finish a car by hand
Morgan Motor Company in MalvernAdam Lusty, chief painter at Morgan Motor Company, takes about hours to finish a car by handPhotograph: Richard Jones/RichardJonesPhoto.com 

Finished cars are loaded on to transporters at Morgan
Morgan Motor Company in Malvern

Finished cars are loaded on to transporters
Photograph: Richard Jones/RichardJonesPhoto.com

Morgan cars cost about £60,000 each and the company says its order books are full. The carmaker has recently released an electric version of the classic three-wheel car, and the average Morgan, which still has a wooden frame made by local carpenters, takes about four weeks to build. Despite the brand’s traditional image, its owners say they keep up with the latest technology.

Ed Wilkes, a metalworker, assembles the frame of a Morgan car
Morgan Motor Company, MalvernEd Wilkes, a metalworker, assembles the frame of a carPhotograph: Richard Jones/RichardJonesPhoto.com 

The Motor Mouths installations are made entirely from individual photographs, with more than 200,000 images captured for the project. Portraits have been cut into several layers to give the impression of 3D, known as the parallax effect. Timelapse clips, each one composed of thousands of images, are weaved among the portraits.

Kineton, a local high school, and the Factory Young People’s Centre in Birmingham helped film sections of the project in a series of workshops. The acclaimed musician and soundscape artist Phil Reeve created a piano-based soundtrack to accompany the Motor Mouths that combined factory sounds and interviews.

The regenerated Longbridge area of Birmingham
The regenerated Longbridge area of Birmingham, once home to the UK’s largest car factory, now houses the Factory Young People’s Centre Photograph: Richard Jones/RichardJonesPhoto.com
  • The regenerated Longbridge area of Birmingham, once home to the UK’s largest car factory, now houses the Factory Young People’s Centre and various office buildings.

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Color meets diamond pavé to form Nudo collection perfection

Sculpted in every gem color, select the Nudo collection ring that bares your souls.

Strong, vibrant, and full of color, Chiara Ferragni embodies Pomellato’s joyful spirit
Strong, vibrant, and full of color, Chiara Ferragni embodies Pomellato’s joyful spirit; photo: pomellato

Pomellato Nudo collection is a stunning example of brilliant Italian design. Rich with Milanese inspiration, Nudo designs are artisanal and audacious. Born in 2001, the Nudo collection has since become an all-time favourite, gaining the status of style icon with a ready-to-wear attitude. Today, the irresistible simplicity of Nudo is expressed through different families, each of which explores stylish and fascinating variations.

“An endless surprise of colour and style ready to stun, Nudo is the emblem of the modern ring every woman wants to own. A smooth elegance sparked by seasonal trends and personal inspiration, the Nudo mixing & matching experience will only leave you longing for more,” says the Italian jewelry house.

The new Nudo in white moonstone and white gold, glazed with icy pavè diamonds expresses the sensual brilliance of Pomellato design. Nudo Assoluto ring is a bold new oversize interpretation of an icon embodying powerful simplicity and showcasing a dazzling personality. An unconventional and strikingly audacious creation, Nudo Assoluto is available in three color variants (blue topaz, amethyst and lemon quartz).

Interpreting the language of the fine jewellery world, the Nudo Solitaire portrays the unique splendour of the ‘one-and-only’. Reminiscent of the multifaceted appeal of diamonds, its pavé comes together in an ensemble of fabulous stones that make for a truly original creation.

A smaller version of Nudo, Nudo Petit features a subtler design characterised by a more concentrated ‘nude’ stone available in six colours. The biggest version of the Nudo, Nudo Maxi presents an eye-catching, larger ‘nude’ stone available in six colours. Mix it and match it with Nudo Classic and Nudo Petit.

Pomellato Nudo collection 2018- Chiara Ferragni
photo: peter lindbergh for pomellato

 

Strong, vibrant, and full of color, Chiara Ferragni embodies Pomellato’s joyful spirit.

Chiara Ferragni is the 2018 face of Pomellato. The innovative, self-made businesswoman who embodies Italian audacity at its best. Chiara Ferragni is also the face of Pomellato For Women campaign shot by Peter Lindbergh, underlining the importance of female leadership and a more authentic form of beauty.

A wide-angled reflection on what beauty is today is the narrative thread that runs smoothly through the campaign. Based on an idea of authenticity that skips rules, it promotes a balance between inside and outside, inner being and presence.

Pomellato Nudo collection 2018-portfolio
Pomellato Nudo; photo: Pomellato
Pomellato Nudo collection 2018- Chiara Ferragni likes to mix-and-match her bundles of Pomellato joy
photo: Pomellato