Unique art experiences: Prada’s traveling social club at 2022 Frieze Los Angeles

On 16 and 17 of February, Prada presented the seventh iteration of Prada Mode at Genghis Cohen featuring an immersive installation by the artist Martine Syms, to coincide with Frieze Los Angeles Art fair.  A traveling social club with a focus on contemporary culture, Prada Mode provides members with a unique art experience along with … Read more

The best… and the not so good: There is an urgent need for greater clarity on NFT platforms, say experts

  Today, everyone wants to try the NFT experience. Like any revolution, this one is jerky with a lot of volatility that will attenuate over time, says Artmarket. Artmarket.com urges for a classification of NFTs on marketplaces and in Artprice databases. An urgent need for greater clarity is emerging in the world of NFT platforms, … Read more

The largest temple of ancient Rome returned to its original splendor with Fendi’s funding

Fendi marks Temple of Venus and Rome restoration with publication of commemorative book. Italian luxury house Fendi became a patron of the Parco archeologico del Colosseo in June 2019, sponsoring the restoration and enhancement of the Temple of Venus and  Rome, built during the reign of the emperor Hadrian. Thanks to 2.5 million euros funding … Read more

The Gateway: Meet the NFT artists who are bringing NFT transition to life

The Gateway or the immersive maze from the world’s top NFT creators. A major moment for collectors and digital artists as the contemporary art world embraces NFTs and cryptoart. The worlds of traditional fine art and NFTs merged as one in an unprecedented showcase between legendary auction house Christie’s and nft now at Art Basel … Read more

Fondation Louis Vuitton unveiled The Morozov Collection, a new blockbuster art exhibition

 

 

From 22 September 2021 until 22 February 2022, the exhibition of the Morozov collection takes over the entire art galleries of the Fondation Louis Vuitton. The exhibition presents the masterpieces from the Collection of the brothers Mikhaïl Abramovitch Morozov (1870-1903) and Ivan Abramovitch Morozov (1871-1921). The Morozov Collection is one of the world’s foremost collections of Impressionist and Modern art.

Valentin Sérov « Portrait du collectionneur de la peinture moderne russe et française Ivan Abramovitch Morozov » Moscou, 1910 Galerie Trétiakov, Moscou Galerie Trétiakov, Moscou; @Fondation Louis Vuitton THE MOROZOV COLLECTION

Fondation Louis Vuitton unveiled THE MOROZOV COLLECTION, one of the world’s foremost collections of Impressionist and Modern art. On view through February 22th, 2022, this major international art exhibition is bringing together in Paris 200 masterpieces from the French and Russian modern art collection of the brothers Mikhaïl and Ivan Morozov. This will be the first time the collection has traveled outside of Russia since its creation at the turn of the 20th century.

The landmark exhibition is the second in the ICONS OF MODERN ART series, organized by the Fondation Louis Vuitton in partnership with the State Hermitage Museum (Saint-Petersburg), the Pushkin State Museum of Fine Arts (Moscow) and the State Tretyakov Gallery (Moscow). It follows the Fondation Louis Vuitton’s influential SHCHUKIN COLLECTION exhibition (2016), which attracted 1.3 million visitors, and continues the Fondation’s series dedicated to prominent collectors and pioneering patrons of modern art, which has also included The Courtauld Collection, A Vision for Impressionism (2019).

@Fondation Louis Vuitton THE MOROZOV COLLECTION

Installed across all of the galleries in the Fondation Louis Vuitton’s iconic Frank Gehry building, THE MOROZOV COLLECTION will bring together a selection of works by renowned French artists including Manet, Rodin, Monet, Pissarro, Toulouse-Lautrec, Renoir, Sisley, Cézanne, Gaugin, Van Gogh, Bonnard, Denis, Maillol, Matisse, Marquet, Vlaminck, Derain and alongside Russian masters including Repin, Vrubel, Korovin, Golovin, Serov, Larionov, Goncharova, Malevich, Mashkov, Konchalovsky, Outkine, Saryan and Konenkov. Conceived by Anne Baldassari, the exhibition’s chief curator, The Morozov Collection will include astonishing discoveries and memorable moments, with a unique design that evokes historical references and highlights the timeless nature of works that exemplify the emerging artistic modernity of the late 19th- and early 20th centuries.

For the first and only time, the Music Room in Ivan Morozov’s Moscow mansion is presented outside the State Hermitage Museum as part of a special exhibition design and installation that marks the ending of the presentation of the Morozov works. Consisting of a monumental decorative installation of seven panels commissioned by Ivan Morozov in 1907 from Maurice Denis on the subject of The Story of Psyche (1908-1909), and of four sculptures by Aristide Maillol, the Music Room will provide a rare window into the life of the prominent collector.

Portrait of Ivan Abramovich Morozov “, Konstantin Korovine, 1903.

THE MOROZOV BROTHERS

The brothers Mikhaïl Abramovich Morozov (1870-1903) and Ivan Abramovich Morozov (1871-1921) were arts patrons who dominated Moscow’s cultural life at the turn of the 20th century, in much the same way as the Tretyakovs, Mamontovs, Riabouchinskys and Shchukins did. They stood out for their unconditional patronage of contemporary European and Russian art, which greatly contributed to enhancing the international reputation of modern French painters.

On the advice of Paris’s leading art dealers – Paul Durand-Ruel, Ambroise Vollard, Georges Bernheim, Eugène Druet, Daniel-Henry Kahnweiler — the Morozovs acquired more than 250 iconic paintings and sculptures by Cézanne, Gauguin, Van Gogh, Renoir, Monet, Matisse, Marquet, Derain and Picasso, as well as monumental decorative works by Bonnard and Denis, and bronzes by Rodin, Claudel and Maillol. They also committed to collecting contemporary Russian art by bringing together nearly 400 modern Russian paintings by artists of the Realist (Wanderers), Symbolist, Impressionist, and Post-Impressionist movements such as Vrubel, Korovin, Golovin, Serov, Outkine, as well as by Larionov, Mashkov, Konchalovsky, Saryan and Konenkov.

Their collections, nationalized in 1918, allowed the creation of the world’s first museum of modern art: the State Museum of Modern Western Art / GMNZI, which opened in Ivan Morozov’s Moscow mansion in 1928. From the 1930s to 1948, their collections were gradually spread out among Russian public institutions: the State Hermitage Museum, the Pushkin State Museum of Fine Arts and the Tretyakov Gallery.

In parallel, the Fondation Louis Vuitton is supporting an extensive program of research, preservation and restoration of modern French works (Picasso, Matisse, Gaugin and Van Gogh) and Russian ones (Vrubel in particular) from the collections of the Pushkin State Museum of Fine Arts and the Tretyakov Gallery. The Fondation Louis Vuitton is also engaged in modernizing and equipping the Pushkin Museum’s Restoration Workshop.

By extending its patronage to the State Hermitage Museum, LVMH was actively involved in the organisation of the Morozov exhibition that took place in June 2019 in Saint-Petersburg. LVMH has also given its full support to a legacy project led by the State Hermitage Museum, aimed at recreating within its permanent collections, the Music Room in Ivan Morozov’s mansion.

Photo credit: Widow Margarita Kirillovna Morozov with her children “, Anonymous photographer, [end 1903-beginning 1904], Collection N. Semenova.

This Ruinart artwork uses the power of the sun to show our dependence on the forces of nature

 

@ruinart x @Tomás Saraceno artwork

Environmentally-aware: Ruinart champagne house and Argentinian artist C. Tomàs Saraceno has created an artwork with Aerocene, an activist project Saraceno initiated a few years ago. The performance consists in using the power of solar energy to make a symbolic and super fragile structure rise and float in the sky.

Through a performance for #RuinartCountdown, Tomás Saraceno offers a renewed poetic way to sense the air. He questions about our relationship with the environment and invites us to change our perspective on the nature that surrounds us and be more aware of the fragile “ocean of air” we live in and breathe.

The Argentine artist reminds us how essential it is to all species at a time when the earth’s ecosystem has become unbalanced due to the actions of humans.

The permanent installation Movement created by Tomás Saraceno with Aerocene for Ruinart is inspired by shared recognition of the urgency of addressing climate change. With his work, the Argentine artist emphasizes how seriously unbalanced the earth’s ecosystem has become due to human activities. A difference of a single degree suffices to set an inflatable aerosolar sculpture in flight, just as warming of the Champagne region climate by one degree disrupts the ripening of grapes….

The work uses the power of the sun, illustrating how dependent champagne-making is on the forces of nature. The “aeroglyph” sculpture leaves a poetic imprint in the sky above Maison Ruinart. “We believe that art has the power to connect people and make the world better, more sensitive and more intelligent,” says Frédéric Dufour, President of Ruinart.

The ephemeral flight becomes a lasting experience. Fusing art and science, this dynamic project offers a chance to better sense natural rhythms. The Aerocene becomes buoyant and takes flight thanks to the heat of the sun. The work thus evolves with the changing rhythms of nature as a sensor captures its meandering trajectory, transposing the itinerary into an immaterial sculpture, Movement.

Tomás Saraceno’s art is anchored in a keen observation of nature. Global warming has spurred the storied Champagne house to pursue a host of initiatives to protect the environment and fight climate change, including sustainable viticulture practices that foster biodiversity, notably at its historic Taissy vineyard.

“Precision and awareness of the environment are essential for us. A single additional degree in temperature can have an enormous impact on the texture and aromas of our wines,” notes Ruinart Cellar Master Frédéric Panaïotis.

The new installation takes the form of an augmented reality “aeroglyph” to heighten awareness of threats to our ecosystem. It becomes part of the artistic terroir of Ruinart, which will celebrate its 300th anniversary in 2029. The world’s oldest Champagne house has thus begun the countdown and will welcome up to ten additional new artworks between now and 2029. They will enrich its symbolic heritage through a dialogue bridging art, nature and technology.

@ruinart

Tomás Saraceno is an artist whose work is intimately linked to the observation of nature. He has earned international renown for his environmentally-aware and engaged approach to art. An architect by training, he embarked on a much-remarked flight over the desert of New Mexico in 2015 in a solar-powered hot air balloon, presenting his performance in Paris during COP21. With Movement, the artist signs a new digital work rooted in Champagne and in harmony with our environment.

Visitors can see the work onsite thanks to the Aerocene app, giving them a glimpse of a new era of carbon-free mobility. “As we face global warming and climate disruption we need to learn to live with these constraints while at the same time doing everything possible to safeguard a balance,” the artist concludes.

@ruinart