Private view: our art critic’s favourite online galleries

The world’s great art museums have closed their doors – but you can travel within their walls virtually to see treasures up close

This new luxury boutique hotel is combined with a renowned multi-venue art museum

 

 

Hotels to visit after the coronavirus pandemic is over: 21c Museum Hotel Chicago – The newest addition to North America’s only multi-venue museum dedicated to collecting and exhibiting the art of the 21st century. The hotel perspective is that culture and hospitality enhance each other.

@21cmuseumhotels.com/chicago/

The 297-room boutique hotel 21c Museum Hotel Chicago, which is combined with a renowned multi-venue art museum, brings a jolt of contemporary culture to Chicago’s River North neighborhood. Chicago’s River North is an ultra-stylish, ultra-urban district of sleek art galleries and studios, all tucked away into former warehouse buildings.

The design team, led by New York-based Design Architect Deborah Berke Partners and GREC Architects of Chicago, sought to create both a destination for contemporary culture and a serene refuge for guests. Capitalizing fully on the building’s open, natural light-filled spaces, visitors enter the hotel into a new double-height lobby, featuring a signature staircase leading to exhibition and event spaces above. Contemporary art is integrated throughout the public areas, in keeping with 21c and MGallery’s perspective that culture and hospitality enhance each other, while floor-to-ceiling windows offer passersby a view into the art experience inside the hotel.

Originally the Croydon Hotel, a gathering spot for vaudeville actors and other colorful characters, and later The James Hotel, Deborah Berke Partners spent several months reimagining the hotel as a 21c Museum Hotels – MGallery Hotel Collection property. This is Berke’s ninth project with the brand, since designing its first property, which opened in Louisville in 2006.

@21cmuseumhotels.com/chicago/

The 21c hotel brand was founded by Laura Lee Brown and Steve Wilson with the vision of bringing contemporary art to the public through innovative exhibitions and programming that integrates art into daily life. Following parent company Accor’s acquisition of an ownership stake in 21c in 2018, 21c Museum Hotels joined the MGallery Hotel Collection to create a new kind of travel + art experience.

21c has helped introduce MGallery to the United States with an exciting new mode of hospitality, bringing cultural and culinary experiences together.

Beds are accented by leather and velvet-covered headboards, which extend across the full height of wall, and rooms feature original artwork, Malin + Goetz bath amenities and luxurious bedding. Of the 297 spacious rooms, 106 are suites, with the two signature 21c Suites featuring sweeping views of downtown Chicago, an open concept floorplan with a sectional couch, dining table for six, bathroom with large soaking tub and an abundance of natural light. The property will also feature a full-service spa, 24-hour fitness center, business center and valet parking.

@21cmuseumhotels.com/chicago/

 

Art at 21c

As the newest addition to North America’s only multi-venue museum dedicated to collecting and exhibiting the art of the 21st century, 21c Museum Hotel Chicago – MGallery Hotel Collection offers more than 10,000 square feet of exhibition space which will feature rotating solo and group exhibitions, site-specific installations and a full roster of cultural programming curated by Museum Director and Chief Curator Alice Gray Stites. 21c Chicago will present a captivating new, never-before-seen exhibition, This We Believe, which explores the power and evolution of belief systems—religious, political, economic—and how an allegiance to ideology has influenced our current global culture of divisiveness and polarization. Open 24 hours a day, seven days a week and free of charge to the public, 21c Chicago will offer complimentary docent-led tours of current exhibitions and other cultural programming, creating a dynamic destination for locals and visitors alike.

At the launch, the rooms at 21c Museum Hotel Chicago – MGallery Hotel Collection were available with rates starting at $219 USD per night.

21c Chicago is Temporarily Closed due to the Covid-19 outbreak crisis.

“We currently live in a world that is changing rapidly – by the day and by the hour. As we navigate through these times of change and uncertainty, we do so with the safety of our team, our guests and our city as our highest priority,” said the hotel’s team in a statement.

“We must support our local authorities as they work to halt the spread of COVID-19. And so, we have made the difficult decision to temporarily close the doors of our hotel and museum effective Friday, March 20 at 12 p.m. CST.”

@21cmuseumhotels.com/chicago/
@21cmuseumhotels.com/chicago/
@21cmuseumhotels.com/chicago/

Hello, Robot review – where human and machine don’t quite meet

V&A Dundee
From pet cyber-seals to cars with minds of their own, an exploration of the science and fiction of robots raises more questions than it answers

From hated queen to 21st-century icon: Paris exhibition celebrates life of Marie-Antoinette

 

 

portrait of Marie-Antoinette
portrait of Marie-Antoinette; Photograph: Château de Versailles

Powered by Guardian.co.ukThis article titled “From hated queen to 21st-century icon: Paris exhibition celebrates life of Marie-Antoinette” was written by Kim Willsher, for The Guardian on Tuesday 15th October 2019 04.00 UTC

When Marie-Antoinette met a gruesome end at the guillotine 226 years ago this week, she was the most hated woman in France. As the horse-drawn cart carried the former queen, her blonde hair shorn and prematurely grey, through the streets of Paris to her execution in 1793, the crowds jostled to spit and hurl insults at her.

She was 37, an Austrian-born “foreigner” accused of treason and of being aloof, branded a shameless spendthrift and nicknamed “Madame Deficit” for the bills she had run up on the finest clothes and jewels.

Worse still, Marie-Antoinette was considered scandalously indifferent to the plight of the starving poor and forever damned for words there is no evidence she ever said: “Qu’ils mangent de la brioche” (Let them eat cake).

Today, however, the woman France loved to hate has become a 21st-century popular icon who draws crowds to her former home at Versailles. Her image features on boxes of chocolates and macarons snapped up by tourists and she is celebrated in literature, contemporary arts and cinema.

This week, to mark the anniversary of her death, the exhibition Marie-Antoinette: the Metamorphosis of an Image opens at the Conciergerie, a former prison on the left bank of the River Seine, where the queen was held in a cell before her execution.

It features 200 works of art and objects including her last letter, portraits, caricatures and other representations, and contemporary uses of her image in manga, film and fashion.

The last letter of Marie-Antoinette
The last letter of Marie-Antoinette. Photograph: Archives nationales

“There has been a proliferation of images of Marie-Antoinette, from her lifetime to now, as if each era, each group, wanted to create ‘their’ queen: from foreign traitor to martyr, from teenage hero to exemplary mother, from the woman of culture to the fashion icon,” reads the exhibition programme. “As much as she seemed out of step with the France of her time, where she was little understood, her image flourished after – and especially in the last few years.”

Philippe Bélaval, the president of the French Centre for National Monuments, which oversees the Conciergerie, likened Marie-Antoinette’s “tragic destiny” to that of the late Diana, Princess of Wales.

“Like the Princess of Wales, Marie-Antoinette was this young, beautiful and slightly unhappy royal who was the victim of political circumstances and not prepared for the situation she had to confront,” Bélaval told the Guardian. “She had luxurious tastes but she represented the best of a certain period of French culture.”

The Metamorphosis of Marie-Antoinette Exhibition at the Concierge, Paris
A poster advertising the Metamorphosis of Marie-Antoinette Exhibition at the Concierge, Paris. Photograph: Concierge, Paris

Bélaval said the queen’s rehabilitation was more personal than political. “The history of the French Revolution is complex and Marie-Antoinette did not show complete loyalty to her country and was no supporter of the revolution, but the absolute dignity she showed through her final tribulations, the terrible trial in which she was accused of all sort of abominations, and her death make us pity her for the inhumane treatment she endured.

“We don’t need to look away from her political faults to see that she was very badly treated.”

guardian.co.uk © Guardian News & Media Limited 2010

Published via the Guardian News Feed plugin for WordPress.

Sneaker fans clamour for designer’s lace-up tribute to home town

Limited-edition shoe launching at Adidas exhibition in Blackburn, part of British Textile Biennial