The AW19 takeaway: seven of the best menswear trends from the shows – a photo essay

Dries Van Noten menswear ss 2019

Dries Van Noten menswear autumn-winter 2019 @driesvannoten


Powered by Guardian.co.ukThis article titled “The AW19 takeaway: seven of the best menswear trends from the shows – a photo essay” was written by Helen Seamons, Morwenna Ferrier and Matt Fidler, for theguardian.com on Tuesday 29th January 2019 10.01 UTC

The autumn/winter 2019 menswear shows were full of comebacks and firsts. Milan hosted blockbuster shows from Prada, Versace and even Dolce & Gabbana, treading carefully after last year’s China racism row. Paris was packed and cold, but saw universally successful debuts from Hedi Slimane at Celine, Jonathan Anderson at Loewe and Clare Waight Keller at Givenchy. Craig Green returned to the London schedule alongside Charles Jeffrey Loverboy, who had a plaid party in a warehouse, and A-Cold-Wall*, which put a doberman on the catwalk. Scarves were long, bags were big and for the first time in four seasons, tailoring triumphed over tracksuits. Here are the other trends we can expect to see next autumn.

A model backstage ahead of the John Lawrence Sullivan show during London fashion week at Kachette.
A model backstage ahead of the John Lawrence Sullivan show during London fashion week at Kachette. Photograph: Tim Whitby/BFC/Getty Images

Leopard

  • John Lawrence Sullivan show during London fashion week at Kachette.

Rare is the season in which leopard print is absent from womenswear … but menswear? It’s hardly a perennial. Yet this season it was, appearing in all shades and motifs, brash and textured. At John Lawrence Sullivan, it appeared on coats and bomber jackets in clear 70s prints. At Marni, it ran the gamut – from creepers and fluffy coats, to hats and wide-legged trousers, lending the whole collection a cartoonish edge. Neil Barrett put it on collars and Sacai doubled it up, but few expected to see a mod-style leopard-print coat in a quiet shade of gold. Some labels can change their spots, it seems.

Leopard print on the Marni catwalk in Milan.
Leopard print on the Marni catwalk in Milan. Photograph: Andreas Solaro/AFP/Getty Images
Doubling up at Sacai in Paris.
Doubling up at Sacai in Paris. Photograph: PR
An animal-print coat at the Céline ready to wear show in Paris.
An animal-print coat at the Céline ready-to-wear show in Paris. Photograph: François Guillot/AFP/Getty Images
Leopard print collars at the Neil Barrett show at Milan.
Leopard-print collars at the Neil Barrett show at Milan. Photograph: Rosdiana Ciaravolo/Getty Images
  • Take a walk on the wild side: Marni, Sacai, Neil Barrett and Céline.
Black tailoring at Dries van Noten in Paris.
Black tailoring at Dries van Noten in Paris. Photograph: Richard Bord/Getty Images

The black suit

  • Dries van Noten in Paris

This season, the death knell rang out for sportswear. Well, not quite, but the suit gave it a run for its money. Black versions that were edgy and funereal at the same time led the charge. In Paris, they were elegant, crisp and flowing at Dries van Noten, relaxed and casual at Valentino, and serious and winter-proof at Dunhill. At Dior, they came red-carpet ready with a detachable sash.

Suits and trainers by Stella McCartney.
Suits and trainers by Stella McCartney. Photograph: SMC
Black suits as evening-wear at the Prada show, Milan.
Black suits as evening-wear at the Prada show, Milan. Photograph: WWD/REX/Shutterstock
  • Men in black: Stella McCartney and Prada.

Over in Milan, Prada and Fendi showed versions with a high-octane glamour and feminine undertone – think shine and a slim cut that was pleasing to watch on the catwalk. Stella McCartney went for a back-to-school version. At Berluti, Kris Van Assche closed the show with a his-and-hers version – because how many trends overlap genders quite so keenly?

Suited and booted on the Dunhill catwalk in Paris.
Suited and booted on the Dunhill catwalk in Paris. Photograph: Victor Boyko/Getty Images
  • Dunhill in Paris
A suit at the Fendi show during Milan menswear fashion week.
A suit at the Fendi show during Milan menswear fashion week. Photograph: Tristan Fewings/Getty Images
The Valentino menswear autumn/winter show in Paris.
The Valentino menswear autumn/winter show in Paris. Photograph: Peter White/Getty Images
  • Black is back: Fendi and Valentino.
All pink at Craig Green during men’s London fashion week.
All pink at Craig Green during men’s London fashion week. Photograph: Andy Rain/EPA

Pink

  • Craig Green during London fashion week men.

The autumn catwalks were a riot of colour this season, yet one shade ruled them all. Surprisingly, for a world that has been saturated by millennial pink and all the cultural and gender baggage that comes with it, here it was used with nuance, clashing with green or layered up at Ami and Acne Studios (the same Acne Studios that put it on a bag and launched a thousand copycats). At Loewe, Anderson turned it into a suit over comically oversized shirting, a fun combination which clashed magically with the mustard carpet.

Pink knits on a model on the Marni catwalk in Milan.
Pink knits on a model on the Marni catwalk in Milan. Photograph: WWD/REX/Shutterstock
A pink suit by Loewe autumn/winter 19.
A pink suit by Loewe autumn/winter 19. Photograph: Hirokazu Ohara/PR
  • In the pink: Marni and Loewe

Craig Green and Marni went for head to toe, playing with textures and fabrics – high shine or knitted, this was a “choose your weapon” moment. At Raf Simons, in his first show since news of his departure from Calvin Klein, the takeaway moment was a voluminous pink trenchcoat – no belt – styled in a loose, carefree way. “I want to do something abstract and beautiful and elegant and proud and sophisticated, but without losing the edge of what the brand stands for: the young generation,” he told Vogue. Touche.

A pink trenchcoat by Raf Simons.
A pink trenchcoat by Raf Simons. Photograph: Peter White/Getty Images
  • Pink overcoat at Raf Simons show in Paris.
A model on the AMI Alexandre Mattiussi catwalk.
A model on the AMI Alexandre Mattiussi catwalk. Photograph: SIPA/REX/Shutterstock
A model on the Acne Studios catwalk.
A model on the Acne Studios catwalk. Photograph: Pixelformula/SIPA/REX/Shutterstock
  • Everything’s rosy: Ami Paris and Acne Studios.
Leather suits on the Berluti catwalk.
Leather suits on the Berluti catwalk. Photograph: WWD/REX/Shutterstock

Leather

  • Berluti at Palais Garnier, Paris

As ever, leather was a recurring theme at the shows this year, though few things will top the Instagram picture of Frank Ocean in a pair of leather Loewe chaps backstage. That said, Isabel Marant’s flying jackets with billowing arms were wearable and a tour de force, while Givenchy’s ultra-tight leather trench (belted, this time) was a lesson in elegance. Jil Sander’s loose-fitting, grey leather shirt and leather trouser combination was aimed at the brave. Ditto Charles Jeffrey Loverboy, who went vintage with his jackets, and Berluti which opened the show at the Palais Garnier opera house with a tan brushed leather suit.

A leather jacket by Isabel Marant Homme.
A leather jacket by Isabel Marant Homme. Photograph: PR
Leather coats by Charles Jeffrey Loverboy.
Leather coats by Charles Jeffrey Loverboy. Photograph: Pixelformula/SIPA/REX/Shutterstock
A leather trenchcoat by Givenchy.
A leather trenchcoat by Givenchy. Photograph: Givenchy
Grey leather at Jil Sander.
Grey leather at Jil Sander. Photograph: Monica Feudi
  • Hell for leather: Isabel Marant, Charles Jeffrey Loverboy, Givenchy and Jil Sander.
Puffer coats at the Iceberg show at London Fashion Week.
Puffer coats at the Iceberg show at London Fashion Week. Photograph: Andy Rain/EPA

Puffer coats

  • Iceberg show in London.

This season, men’s fashion continues to work in tandem with the weather, with puffer jackets designed to withstand the polar vortex. A bona fide trend since Balenciaga put them on the 2017 catwalk, they came athleisure-friendly at Iceberg under James Long in London, patched like a Mondrian at Fendi in Milan or low-denier and commuter-friendly at British label, Cottweiler.

Patchwork puffers by Fendi.
Patchwork puffers by Fendi. Photograph: Luca Bruno/AP
The Cottweiler show, London.
The Cottweiler show, London. Photograph: WWD/REX/Shutterstock
  • Pump up the volume: Fendi, Cottweiler.

If oversized, primary-coloured puffer jackets have dominated high and low fashion for the past two years, Rick Owens’ longline versions were a u-turn moment, coming fitted in metallic and monochrome shades. Marni’s Francesco Risso introduced the hybrid coat/robe as outerwear this season, but it was his layered puffers in iced lemon which stole the show. Unless you count Cardi B’s on/off boyfriend, Offset, modelling a duvet coat in lilac with a built-in bumbag worn cross-body on the Off White catwalk, accessorised by the scent of vaping.

Puffer coats at the Rick Owens men’s show in Paris.
Puffer coats at the Rick Owens men’s show in Paris. Photograph: Christophe Ena/AP
  • Puff daddies: Rick Owens, and below: Marni, Off-White.
Double puffers at the Marni show in Milan.
Double puffers at the Marni show in Milan. Photograph: WWD/REX/Shutterstock
Offset on the catwalk for the Off-White show, Paris.
Offset on the catwalk for the Off-White show, Paris. Photograph: Pixelformula/SIPA/REX/Shutterstock
Big bags on the catwalk for Dior Homme in Paris.
Big bags on the catwalk for Dior Homme in Paris. Photograph: Swan Gallet/WWD/REX/Shutterstock

Big bags

  • Dior in Paris.

Bags’ shapes wax and wane in fashion. But in menswear this season, they were enormous. In Paris, Hermès showed a men’s version of its cult Birkin bag in deep red, but elsewhere they tended towards sportier shapes. At Louis Vuitton, designer Virgil Abloh created a giant rucksack in grey felt with a subtle monogram, while Loewe created a drawstring bag in pastel leather. Working with a “survivalist” theme, Korean designer Juun.J created silver foil totes which packed down small – this in stark contrast to Xander Zhou whose huge one shouldered bags resembled angel’s wings.

Xander Zhou’s giant bags in London.
Xander Zhou’s giant bags in London. Photograph: WWD/REX/Shutterstock
Silver bags at Juun.J Menswear, Paris.
Silver bags at Juun.J Menswear, Paris. Photograph: Peter White/Getty Images
  • Xander Zhou and Juun.J.
A model backstage at Loewe with a pink drawstring bag.
A model backstage at Loewe with a pink drawstring bag. Photograph: LOEWE
A rucksack by Louis Vuitton on the catwalk.
A rucksack by Louis Vuitton on the catwalk. Photograph: Armando Grillo/Luis Vuitton
  • Pink drawstring at Loewe, and rucksack at Louis Vuitton.
A bag on the catwalk at Hermès.
A bag on the catwalk at Hermès. Photograph: Dominique Maitre/WWD/REX/Shutterstock
  • An oversized take on the Birkin shape at Hermès.
Long scarves at the Acne Studios show.
Long scarves at the Acne Studios show. Photograph: Anne-Christine Poujoulat/AFP/Getty Images

Scarves

  • Acne Studios, Paris

Designers took their cue from Mr Tickle this season with scarves of all textures, shapes and colours trailing down the catwalks. At Acne Studios and Valentino they were floor-length and comically proportioned, either tasselled or fine ribbed and thrown over one shoulder. At Sunnei in Milan they came in muted tones with an apres-piste aesthetic, and were as wide as blankets. Dunhill designer Mark Weston continued to play with the classically masculine wardrobe; his were short, in a puffer fabric. Sport meets tailoring, perhaps.

Puffer scarves at Dunhill.
Puffer scarves at Dunhill. Photograph: Kristy Sparow/Dunhill
Knitted scarves at the Valentino show.
Knitted scarves at the Valentino show.
Colour blocked scarves at the Liam Hodges show in London.
Colour blocked scarves at the Liam Hodges show in London. Photograph: WWD/REX/Shutterstock
Sunnei’s wide blanket scarf in Milan.
Sunnei’s wide blanket scarf in Milan. Photograph: Andreas Solaro/AFP/Getty Images
  • Harry Potter scarves at: Dunhill, Valentino, Liam Hodges and Sunnei.

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