Dancer and actress FKA twigs is pure Good Fortune for Viktor&Rolf

Dutch avant-garde luxury fashion house Viktor&Rolf announced that acclaimed singer, dancer and actress FKA twigs will be the face of GOOD FORTUNE, the brand’s new fragrance. Viktor&Rolf is the luxury fashion brand founded in 1993 by Dutch fashion artists Viktor Horsting and Rolf Snoeren, recognized and respected for its provocative Haute Couture and conceptual glamour. … Read more

Haute Couture in crystal: Real jewels for the table and for sumptuous receptions

  Baccarat unveils its Haute Couture Collection, a selection of exceptional pieces symbol of ultimate luxury. Following the success of the two previous editions, Baccarat is unveiling further new pieces in its Haute Couture collection. Vivid colours, deep cuts, dazzling gilts and delicately engraved trims, each of these exceptional creations, hand-crafted in the Baccarat workshops, … Read more

Stunning pink diamond unveiled during Paris Haute Couture Week 2022

Rose of Caroline diamond unveiled by Chopard during Paris Haute Couture Week 2022. Chopard’s luxury jewellery history has always been punctuated by exceptional stones. This fascination for the magnetism and sovereign beauty of stones has informed the choices and career path of Caroline Scheufele. As Co-President and Artistic Director of Chopard, she has taken the … Read more

Savoir-faire with magical visions: Dior and Fendi’s Haute Couture Spring/Summer 2022

 

Dior and Fendi unveil haute couture collections for Spring/Summer 2022.

@Dior Haute Couture collection for Spring/Summer 2022

Maria Grazia Chiuri at Dior and Kim Jones at Fendi presented stunning collections during Paris Haute Couture Week, both celebrating the excellence of savoir-faire with magical visions.

Dior’s Creative force Maria Grazia Chiuri pays tribute to the excellence of the atelier in her Spring/Summer 2022 haute couture collection.

The silhouettes flowed in an evanescent choreography of embroidery, feathers, braids, pearls and crystals. In a white and black vision highlighted by flashes of gold and silver, the dreamlike lightness of draped bodysuits and evening gowns alternated with architectural capes and coats, as well as tights transformed into jewels.

@Dior Haute Couture collection for Spring/Summer 2022
@Dior Haute Couture accessories for Spring/Summer 2022

The apparent simplicity of off-the-shoulder gowns reveals hours of meticulous handmade craft. Each minute rhinestone is the fruit of technical prowess and expert gestures, including a chiffon gown that transmutes into a bird’s wing, embroidered with delicate feathers and sparkling gemstones. The setting for the show was itself a trompe-l’œil, featuring works by celebrated Indian artists Madhvi and Manu Parekh on the walls in majestic embroidered renditions created by the Chanakya School of Craft in Mumbai.

Each colorful embroidery echoed the monochrome embroideries of the haute couture silhouettes, a vector for lively dialogue between Indian and French savoir-faire in a universal language of handmade expertise and craft as artistic expression.

@Dior Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022

Fendi’s Kim Jones continues to celebrate the power of women, as eternal as the city that inspires his creative vision.

Fendi’s Artistic Director Kim Jones chose the arcades of a phantasmagorical Palazzo illuminated by starry neon for his latest haute couture collection, inspired by an avowedly cinematographic Rome.

Framed by a column of smoke, models made up with delicate rhinestones wore shimmering togas, gliding like empresses with sweeping trains behind them, revealing tights embroidered with floral motifs. Channeling a fantasy Rome, they showcased ancestral artisanal techniques and the rich past of the city alongside its imagined future.

The classical statues outside FENDI’s Palazzo della Civiltà Italiana headquarters are hand-painted on mink and velvet in dramatic chiaroscuro. This harmony of white, black and gray appears in silk and organza evening gowns embellished with prints on opulent fabrics and illuminated by traditional beading and mother of pearl. Exposed underpinnings reveal the essence of haute couture construction, while red and violet materials evoke a powerful and spiritual aesthetic.

@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022
@Fendi Haute Couture collection for Spring/Summer 2022

In a premiere, CHANEL has entrusted a contemporary artist the staging of Haute Couture show

@CHANEL Spring-Summer 2022 Haute Couture show

The visual universe of the CHANEL Spring-Summer 2022 Haute Couture show.

Suspended, fresh, feminine. Between fantasy and reality, the CHANEL Spring-Summer 2022 Haute Couture collection designed by Virginie Viard expressed an ethereal lightness. Bright, joyful silhouettes float amidst geometric structures in a graphic setting created by Xavier Veilhan. A decor evoking equestrian curves and constructive lines contrasts with airy silhouettes, delicate embroideries and precious flowers.
In response to Virginie Viard’s invitation, artist Xavier Veilhan has created the visual universe for the CHANEL Spring-Summer 2022 Haute Couture show at the Grand Palais Éphémère.

For the first time ever, CHANEL has entrusted a contemporary artist to imagine the staging of a show. Part landscape, part garden and part open theatre stage, Xavier Veilhan’s project for CHANEL integrated both the catwalk and seating reserved for spectators. This functional layout conjures up images and notions dear to the artist: from the equestrian and canine paths to the architecture of a mini-golf course, from the principle of lightness (inflatable elements) to the use of simple and seemingly modest materials (natural plywood, floor mats, stage risers).

 

“We also find recurring elements of the artist’s vocabulary here, in particular the image of the horse (often present, filmed or represented in his shows), the oversized musical instruments by the Studio Venezia from the French Pavilion at the Venice Biennale (2017), as well as allusions to a modernity that began with the avantgarde of the 1920s. All references that intersect with the world of CHANEL and echo the creations of Mademoiselle Chanel, Karl Lagerfeld and Virginie Viard.” – Chanel.

For this project, Virginie Viard and Xavier Veilhan decided to work with the songwriter Sébastien Tellier – who has been close to the designer and the House of CHANEL for many years -, the photographer Ola Rindal, with whom Xavier Veilhan has signed a series of images, and the set designer Alexis Bertrand. Each of them has already been involved with exhibitions, performances and shows by the artist. Charlotte Casiraghi, the House ambassador and an accomplished horsewoman, is portrayed in a film that evokes an imaginary world linked to CHANEL. Sébastien Tellier, author-composer and friend of the the luxury brand, performed a series of new tracks specially composed for the occasion on oversized instruments, and the Cristal Baschet, a rare crystal organ from the Studio Venezia of the French Pavilion at the 57th Venice Biennale in 2017.

@CHANEL Spring-Summer 2022 Haute Couture

Charlotte Casiraghi, who opened the Spring-Summer 2022 Haute Couture show on horseback, presented a collarless CHANEL jacket with 3/4 sleeves, with jeweled buttons and rounded shoulders worn with matching flared trousers in lapis blue tweed woven with sequins and ribbons.

The soft and deliberately subdued lighting created a dreamlike atmosphere, emphasising the beauty of the models and the extreme delicacy of the Haute Couture creations. Resulting from the collaboration between CHANEL Haute Couture and the oeuvre of Xavier Veilhan, this project contributes to making the show a moment of pure aesthetic emotion, translating Haute Couture’s exclusivity and quest for perfection.

Light as air, a long black dress and matching bolero jacket are crafted in precious Chantilly lace and hand-painted with graphic white daisies. In airy layers of suspended volume, a flounce top in black houndstooth lace with cascading gemstone embroidery is worn over a matching flared mermaid skirt. The scooped neck hourglass jacket in blue cotton tweed mounted on tulle is worn over a matching jumpsuit for a fluid A-line silhouette.
Contrasting graphic shine and precious lace, a CHANEL skirt suit with a matching boxy jacket and apron skirt in metallic lamé tweed is worn over a sleeveless shirtdress in white lace with crystal buttons. The V-neck coat dress in windowpane check raspberry tweed is trimmed with cream cotton braid and pearl-encrusted buttons.

@CHANEL Spring-Summer 2022 Haute Couture
@CHANEL Spring-Summer 2022 Haute Couture campaign

My only measure is excess: Creative visionary Thierry Mugler, the creator of superhero look for the strong woman, died at the age of 73

@Thierry Mugler, Couturissime @kunsthalle-muc.de

Thierry Mugler was a singular artist who has revolutionized the worlds of fashion, haute couture and perfume throughout his distinguished career. French fashion designer Thierry Mugler, founder of Mugler fashion house, has died at the age of 73, according to his agent and a message posted to his official Instagram account.

“We are devastated to announce the passing of Mr. Manfred Thierry Mugler on Sunday January 23rd 2022,” the post read, using his full name. “May his soul Rest In Peace.”

https://www.instagram.com/p/CZF50kKNsQk/

The designer’s fashion brand, Mugler, described its founder as “a visionary whose imagination as a couturier, perfumer and image-maker empowered people around the world to be bolder and dream bigger every day.”

Mugler was one of the young designers who reestablished fashion in Paris during the 1980s and 1990s, once again making it competitive with New York’s coolness and Milan’s expertise. In 1997, the moribund Chambre syndicale de la Haute Couture Parisienne (the French fashion industry’s governing body) opened its tightly locked doors to welcome a few exceptionally progressive designers, among them Mugler. It was a historic event.

In the 1970s, Mugler launched his eponymous fashion house in Paris; and quickly rose to prominence in the following decades for his avant-garde, architectural, hyperfeminine and theatrical approach to haute couture. In 2002, he retired from the brand, and returned in 2013 as the creative advise. Clarins shuttered the ready-to-wear component of Mugler’s brand in 2003, due to financial losses.

@mugler brand

With tendencies toward the futuristic, Mugler experimented with avantgarde techniques and materials – including (acrylic) glass, PVC, faux fur, vinyl, latex and chrome. His broad architectural silhouettes have made their mark on the history of fashion. To this day, Mugler continues to influence an entirely new generation of up-and-coming couturiers.

Though Mugler retired from the label that bore his name in 2002, he did not give up on making clothes. According to theguardian.com, he was responsible for Beyoncé’s science fiction-inflected Sasha Fierce looks in the late 2000s. He also created costumes for Lady Gaga and Cardi B. In 2019, he created Kim Kardashian’s Met Gala look, a latex dress dripping in crystals.

“By the late 1990s, the Mugler name was associated more with fragrance than fashion, thanks to his blockbuster perfume Angel. The rights to his name were acquired by cosmetics giant Clarins in 1997, and that fragrance and its offshoots, remain bestsellers.”

Mugler’s first perfume appeared in 1992 and was called Angel. “Angel” contains a combination of praline and chocolate mixed with a strong accord of patchouli. It would be a part of a new fragrance type called gourmand. The Angel bottle, a design in the shape of a faceted star, was created by the Brosse Master Glassmakers. Fans of the fragrance include Diana Ross, Barbara Walters, Eva Mendes and Hillary Clinton.

@instagram.com/muglerofficial/

In 1996, Mugler followed up Angel with a male version named Angel Men or A*Men. This fragrance includes notes of caramel, coffee, vanilla, patchouli and honey.

Despite retiring from his brand in 2003, he made the exception to design under his name “House of Mugler” for the Met Gala in 2019 and for a dear friend of his, Kim Kardashian. Getting his inspiration from Sophia Loren in the film Boy on a Dolphin, Mugler envisioned a wet California girl; hence the creation of the “wet couture dress”.

In September 2010, Nicola Formichetti was announced to be the Creative Director of the Thierry Mugler brand. He changed the brand name to MUGLER, removing the first name, and in January 2011, he launched the revival of the brand’s menswear collection in collaboration with Romain Kremer.

In 2019, the designer was the subject of a major retrospective exhibition, Thierry Mugler: Couturissime, which debuted in Montreal before touring to Europe.

Thierry Mugler, Couturissime was initiated, produced and circulated by the Montreal Museum of Fine Arts (MMFA) in 2019. From ready-to-wear and haute couture silhouettes to stage costumes, photographs, films and unpublished archives dating from 1973 to 2014, Thierry Mugler, Couturissime showcases the fascinating universe of this creator and his multiple collaborations in the fields of entertainment, music and cinema.

 

@Thierry Mugler, Couturissime @kunsthalle-muc.de
@Thierry Mugler, Couturissime exhibit@ion; kunsthalle-muc.de
@instagram.com/muglerofficial/