Eton Index Shirt Is The First Shirt Pegged to the Nasdaq Index

Swedish label’s new Index Shirt has a price that fluctuates according to Nasdaq Index. The price of the Index Shirt fluctuates with the market and features some details that keep the stock-market theme going. In a bull or bear market, a successful look is always key. Discover the first shirt with a price pegged to … Read more

Givenchy Haute Couture atelier at the 55th Super Bowl Halftime Show

 

@Givenchy Creative Director Matthew M. Williams designed custom pieces especially for @The Weeknd’s performance;

Givenchy Creative Director Matthew M. Williams designed custom pieces especially for the superstar’s performance.

Canadian singer The Weeknd wore a custom outfit designed by Givenchy Creative Director Matthew M. Williams at the Super Bowl LV in Tampa, Florida on Sunday, February 7th, 2021.

During the Super Bowl LV Halftime Show, The Weeknd wore a fully hand-embroidered jacket with crystals, realized by the Givenchy Haute Couture atelier in Paris. A feat of savoir-faire, it required four embroiderers and more than 250 hours to complete. This jacket was worn over a black cotton poplin shirt and wool trousers accessorized with black leather tie, and gloves, as well as black and white derbies. While made especially for this performance, The Weeknd’s outfit reflects the sharp tailoring, minimalism and intense contrast Williams brought to his debut collection for the House of Givenchy.

“It’s truly an honor to have dressed The Weeknd for his incredible Super Bowl show,” said Matthew M. Williams. “To me, fashion is all about infusing what you wear with a unique personality, and The Weeknd brought his look to life with his energy, character and sense of style.”

The Weeknd’s cinematic Super Bowl LV performance was followed by an estimated audience of more than 100 million viewers who tuned in to watch the NFL championship game between the Tampa Bay Buccaneers and the Kansas City Chiefs at the Raymond James Stadium in Tampa.

@Givenchy Haute Couture atelier in Paris at 55th Super Bowl Halftime Show
@Givenchy Spring Summer 2021

SPRING SUMMER 2021 BY MATTHEW M. WILLIAMS

At the end of January, Matthew M. Williams unveiled its first global advertising campaign for the House of Givenchy shot by Heji Shin.

The Spring-Summer ‘21 collection explores Givenchy in the form of a stream of consciousness for Williams and is a ‘sampler’ of what is to come. This is a new beginning, yet is intermingled with elements of the archive and is a utilisation of Givenchy’s distinct lineage, pointing to the past, present and future. Above all, there is a sense of celebration, of the people who have led Williams here and those he wants to wear the clothe

“You find the pieces of the puzzle for a collection, building it from symbols and signs, but never forgetting the reality of the person who will wear it and bring it to life. The women and men should be powerful and effortless, equal and joyful, a reflection of who they really are – only more so. It’s about finding the humanity in luxury.” Matthew M. Williams, Creative Director, Givenchy.

@Givenchy Haute Couture atelier in Paris at 55th Super Bowl Halftime Show
@Givenchy Haute Couture atelier in Paris at 55th Super Bowl Halftime Show

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The wedding cortege: CHANEL Spring-Summer 2021 Haute Couture

 

CHANEL Spring-Summer 2021 Haute Couture; photos and film © Anton Corbijn

CHANEL Spring-Summer 2021 Haute Couture Show – a family gathering with socially distanced guests.

Chanel transformed Grand Palais Paris into a country wedding in the South of France. A lighthearted and elegant spirit animated
the CHANEL Spring-Summer 2021 Haute Couture collection imagined by Virginie Viard.​ The film of the show was directed by photographer, filmmaker and graphic designer Anton Corbijn.

A joyous occasion calls for luminous colours — a lace ensemble with flower-embroidered cuffs opened the CHANEL Spring-Summer 2021 Haute Couture show. The movement of ruffles on a pink lace dress evokes the spirit of summer evening parties. The tweed trouser suit is king, alongside a dress in black silk chiffon revealing a play of transparency, accompanied by a little black organza dress swathed in sequin-embroidered polka dot tulle. The nonchalant allure is further inspired by a jacket embroidered with silver sequins and wide-cut tweed trousers.

CHANEL Spring-Summer 2021 Haute Couture; photos © Anton Corbijn

The masculine-feminine spirit of a tweed trouser suit is emphasized with a crown of flowers. Beads and strass embroideries as always evoke the emblematic quilted motif of the Chanel House. The voluminous aqua silk tulle skirt is worn with an embroidered vest.

“The silhouettes might be simple—sweaters or sleeveless vests worn with high-waisted pants, skinny cardigan jackets and liquid satin shirts with full romantic ballet skirts—but the beauty is in the detail,” commented Vogue. “This is the haute couture, after all, and the sort of garments we may have become familiar with in our work-from-home lives have actually been encrusted with superb embroideries from the houses of Cécile Henri, Hurel, Montex, Emmanuelle Vernoux, and Lesage, or made from custom, hand-painted lace by Solstiss, or scattered with artificial blossoms by Lemarié,” added Vogue.

Riding side-saddle on a horse, ‘la mariée’ appeared in an ecru satin crêpe wedding dress embroidered by Lesage with rhinestone-and pearl butterflies.​

“Viard attempts to capture the familial spirit of Chanel with this collection. Her focus on oversized petticoats, ruffled boleros, and fitted vests aim to give the clothes a liberating feeling, as the pieces are perfect for dancing on a warm summer evening,” commented lofficielusa.com

CHANEL Spring-Summer 2021 Haute Couture; photos and film © Anton Corbijn
CHANEL Spring-Summer 2021 Haute Couture; photos and film © Anton Corbijn
CHANEL Spring-Summer 2021 Haute Couture; photos and film © Anton Corbijn

 

 

Dolce&Gabbana’s Alta Sartoria inspired by Biblioteca Ambrosiana’s precious codices and manuscripts

Dolce&Gabbana’s Alta Sartoria inspired by the Pinacoteca Ambrosiana’s works of art.

The Dolce&Gabbana Alta Sartoria show 2019 took place in the halls of the prestigious Biblioteca and Pinacoteca Ambrosiana, the home of some of the greatest masterpieces of Italian art and culture.

Dolce&Gabbana’s Alta Sartoria inspired by the Pinacoteca Ambrosiana’s works of art
Dolce&Gabbana’s Alta Sartoria inspired by the Pinacoteca Ambrosiana’s works of art; @Dolce&Gabbana

Dolce&Gabbana Alta Sartoria 2019/2020: This collection is truly a work of art.

The Biblioteca Ambrosiana, founded by Cardinal Federico Borromeo and inaugurated on 8 December 1609, was one of the earliest libraries to grant access to all who could read and write. It was conceived by its founder as a centre for study and culture, and it was the very inspiration for the Dolce&Gabbana Alta Sartoria Show.

Dolce&Gabbana’s Alta Sartoria capewas inspired by a rich banquet showing a forest green collar, entirely embroidered by hand with silk and raffia threads to depict a sumptuously set up on a table.

This year’s Alta Sartoria collection was inspired by the typical subjects of the still life paintings of the Flemish seventeenth-century, like the tables filled with fruits, food, tableware and glasses. There were an abundance of silk satin shirts with a scarf tied to the neck and green fringes of hand-knotted silk, printed with a still life on black background. A printed silk-satin shirt with an all-over pattern of antique open books was paired with a scarf tied to the neck, a turtleneck sweater and classic trousers with a high turn-up at the bottom in grey marbled fabric.

Dolce&Gabbana’s Alta Sartoria large shirt inspired by the uniform of a Renaissance painter’s workshop is made of silk-linen with a camel-coloured effect, complete with vertical striped textures in tone. Giorgione’s “Portrait of a Youth” inspired an embroidered shirt with contrasting sleeves and back in green velvet, finished with a trimmed neckline in tone.

Gian Giacomo Caprotti’s “San Giovanni Battista” were re-imagined on a jacket with contrasting sleeves in sage green velvet. The Alta Sartoria jacket depicts San Giovanni, and the artist Caprotti, one of Leonardo da Vinci’s favourite pupils. The shirt and scarf in white poplin and the classic trousers in dark green brocade complete the look.

A model presented a single-breasted coat with lance lapel and bright dark brown collar embroidered with silk, wool and chenille threads and ribbons.

Dolce&Gabbana’s Alta Sartoria single-breasted jacket inspired by still life paintings features a tailored cut with a burgundy braid frog closure. The expertly hand-made embroidery techniques distinguish and characterize the subjects of a composition made of fruits, flowers with autumnal hues.

The double-breasted chamber jacket in burgundy velvet is inspired by the use of trimmings on military dresses, embellished with shawl collar and the contrasting handguard, bow-shaped closure in cannettè fabric.

The ultra-luxury collection includes a shirt inspired by the pages of the “Codex Atlanticus”, the largest collection of drawings and writings by Leonardo da Vinci, dated between 1478 and 1518 and kept at the Ambrosian Library in Milan. The shirt printed in silk crepe, with a scarf tied to the neck and hand-knotted fringes are embellished with mother-of-pearl buttons.

To conclude the ceremony of the Dolce&Gabbana Alta Sartoria Show, the guests were invited to a unique place, the Bar Martini, ready to enjoy a special lunch of unbelievable sensory experience. See also some of the stunning Dolce&Gabbana’s Alta Orologeria timepieces presented on the occasion.

Dolce&Gabbana’s Alta Sartoria inspired by the Pinacoteca Ambrosiana’s works of art-2019-2020
Dolce&Gabbana’s Alta Sartoria inspired by the Pinacoteca Ambrosiana’s works of art-2019-2020; @dolce & gabbana