the Serpentine Gallery

Christo: London Mastaba; Tomma Abts – reviews

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Serpentine galleries, London
Christo’s floating installation makes a big first impression, but can’t match the brilliance of Tomma Abts’s canvases

Halfway through 512 hours of Marina Abramović: no one to hear you scream

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Our critic revisits Abramović’s residency at the Serpentine and finds its stifling silence and exam-style tasks evoke more production-line misery than mindfulness

• Marina Abramović review – ‘Who knows what might happen?’
• Marina Abramović: ‘I was ready to die’