Why New York’s Metropolitan museum is leader of the free world of art

The Met, all set to rebuild its modern wing, mixes Rembrandts with Pollocks to create an unrivalled cocktail of past and present. Why can’t British art museums be as open-minded?

Michael Schmidt wins Prix Pictet for sprawling global food series

German-born photographer beat Adam Bartos and other big names for an epic look inside factory farms, slaughterhouses and supermarkets

Farm to table: Michael Schmidt exposes the reality of what we eat – in pictures
Why our guilt about consumption is all-consuming – Slavoj Žižek on the theme of this year’s Prix Pictet

Faking a fortune: why Damien Hirst’s paintings are poor imitations of art

A Florida pastor has been jailed for trying to sell fake paintings by the British artist. But why does the art world give Hirst’s talentless artworks any financial value at all?

The art of noise: how music recording has changed over the decades

Technology provides crystal clear recordings of all the music in the world, at little or no cost. But, as a historical audio installation opens at the Science Museum, composer Christopher Fox asks why we won’t let go of our musical past

Movers and makers: the most powerful people in the art world

As Frieze art fair opens in New York, our power primer traces the artists and dealers, celebrity collectors and oligarchs who make the art world go round