The Square was a decent pick for the Palme d’Or but there were disappointments: notably the jury’s failure to get fully behind the outstanding Russian film Loveless
Forget the film festival: the real showdownø on the Côte d’Azur is between Abramovich’s Eclipse and the Barclay Brothers’ Lady Beatrice
Alejandro González Iñárritu’s muscular, visceral movie deserves its four awards, but the Globes went a little more leftfield – and a lot more populist – when it came to the other winners
Carol and The Revenant look like propelling their leads to awards-season glory, but Steven Spielberg has good reason to feel snubbed over Bridge of Spies
Krzysztof Kieslowski’s 1990s trilogy had a touch of dinner party trendiness on release, but the colours stay fast today