In the Cannes superyacht-off, size isn’t everything
Forget the film festival: the real showdownø on the Côte d’Azur is between Abramovich’s Eclipse and the Barclay Brothers’ Lady Beatrice
Forget the film festival: the real showdownø on the Côte d’Azur is between Abramovich’s Eclipse and the Barclay Brothers’ Lady Beatrice
The digital revolution was expected to kill traditional publishing. But print books are ever more beautifully designed and lovingly cherished
The main show is a woolly walk through hand-wringing hippydom and flowerpot trainers. But elsewhere, the biennale bares its teeth in works of danger and daring
UK-based Israeli artist Michal Cole says work is ‘silent embroidered scream’ against global patriarchy
High-profile new box sets from Beyoncé, Radiohead and the Beatles are appealing to an audience still willing to spend big on physical media
USSR-born billionaire made one of largest donations in Tate’s history to help fund building temporarily named Switch House